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  • "Flujos comunicativos cotidianos como experiencia artística. Fotografía digital y redes 2.0"
    Bernardo Villar. "Flujos comunicativos cotidianos como experiencia artística. Fotografía digital y redes 2.0". Vol.'Tarjeta de Memoria / Memory Card. Ensayos sobre fotografía contemporánea'. Bogotá: Universidad Jorge Tadeo Lozano de Bogotá, 2014.
  • Cenários cíbridos: átimos calmos em comunicação ubíqua e móvel por conexões transparentes
    DOMINGUES, DIANA MARIA G. Cenários cíbridos: átimos calmos em comunicação ubíqua e móvel por conexões transparentes In A Cibercultura em Transformação: Poder, Liberdade e Sociabilidade (ABCiber Vol.2), edited by Eugenio TRIVINHO and Edimilson
  • Softwares sociais: o autor como produtor de ciberartivismo cultural
    DOMINGUES, DIANA MARIA G. Softwares sociais: o autor como produtor de ciberartivismo cultural 16º Encontro Anual da Associação Nacional dos Programas de Pós-Graduação em Comunicação (2007).
  • Softwares sociais: o autor como produtor de ciberativismo cultural
    DOMINGUES, DIANA MARIA G. Softwares sociais: o autor como produtor de ciberativismo cultural 16º Encontro Anual da Associação Nacional dos Programas de Pós-Graduação em Comunicação (2007): 31-31.
  • In Conversation -
    A www/street intervention. When live and located, "In Conversation" provided the means for people in the street (or gallery), and users on the Internet to engage in a live dialogue with each other. The work aimed to examine the boundaries and social
  • Monolith
    “Monolith” deals with the complexities of fear as a contemporary social phenomenon. By letting the viewer experience fear, the installation offers critical insights into the effect of cultural conditioning in contemporary society. Furthermore, it
  • ITCH
    The ITCH acronym stands for “Interactive Technology – Community Hacking”, and as such it tries to represent a wide artistic research project concerning with the impact of personal mobile technologies on social behavior, particularly in the public
  • URnotHere - video
    URnotHere is a machine to create cities that confronts the hyperlocative discourse of social media interfaces. It challenges us to create a new geography of nomadic territories on transitory maps. Moreover, the project aims to discuss the landscape
  • Electronic Cemetery
    Tomb on the Network. A project for a magazine "BRUTUS". A work as a curator of a imaginary museum. Actual museums are sometimes said to be cemeteries for art works, well then, what if I make a cemetery into a museum? Actual cemeteries always
  • COLORS TUNNEL
    When the Web link colors and locations (here Hong Kong), the surprise doesn’t come from the rainbow effect, but rather from how colors are weighed with cultural, social and political connotations. The “digger” in the Colors Tunnel have to go through
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