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WRO 01: Screens / raise of Cyberspace
2001
-
2001
... framework of
what
ever interaction...
The
leading
the
me of
the
WRO 01 Biennale,... provides,
such
the
computer... computer as a
mean
s to connect two...
The
leading
the
me of
the
WRO 01 Biennale,...
Natural history of
the
enigma
2003
-
2008
...
The
central work in
the
"Natural History of
the
... images are
mean
t to be used in...
The
central work in
the
"Natural History of
the
...
Reencontres Internationelles Paris - Berlin - Madrid
1997
-
2010
...Since 1997,
the
Rencontres Internationales has...
the
diverse
mean
s of creation and... Since 1997,
the
Rencontres Internationales has...
Protrude, Flow
2008
-
2008
... as to
what
will happen next.... feeling is
the
main purpose of... ones, in
such
media as TV or... This work is
mean
t to make us feel... feeling is
the
main purpose of...
Mediaflow
2006
-
2006
video
... flow, that's
what
the
Media Flow... Thoughts in
the
flow, that's
what
... were not
mean
t to appear in a... Thoughts in
the
flow, that's
what
...
Fray: Coming Away
the
Ends
2010
... though and
does
not stick... work 2010
The
work is a... and how it is
such
a complex... male is
mean
t to stand in for... work 2010
The
work is a...
Digital Sparks
2001
-
2008
video
... 2001 - 2008
The
"Digital Sparks... 2001 - 2008
The
"Digital Sparks...
Epidémie
2007
-
2007
... type camera
the
rmique de ce qui se... type camera
the
rmique de ce qui se...
Jardin Virtuel de Calais
1999
-
1999
Projet de parc thématique culturel: Conception des dispositifs interactifs, réalité virtuelle, réalité augmentée, robots…
Carré blanc sur fond blanc
1990
-
1990
Deux pièces datant du début des années 1980, parmi les toutes premières œuvres de Maurice Benayoun, s’articulent autour de la thématique historique du Carré blanc fond blanc de Kazimir Malevitch. L’artiste n’a alors pas encore exploité le
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