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  • A-part, festival international d’art contemporain - Saint-rémy-de-provence (Fr)
    Event: A-part, festival international d’art contemporain - Saint-rémy-de-provence (Fr)Institution: The Wrong BiennaleComment:
  • Biennale Internationale Saint-Paul de Vence
    Event: Biennale Internationale Saint-Paul de VenceInstitution: The Wrong BiennaleComment:
  • Musée de la mine - Saint-Étienne (Fr)
    Event: Musée de la mine - Saint-Étienne (Fr)Institution: Ars Electronica Linz GmbH & Co KGComment:
  • Musée de la mine - Saint-Étienne (France)
    Event: Musée de la mine - Saint-Étienne (France)Institution: Ars Electronica Linz GmbH & Co KGComment:
  • Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie
    Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie Sarazine 4 (1996).
  • Selphish. L'exposition de soi -
    Selphish. L'exposition de soi Mécènes du sud Montpellier-Sète, May 20th to August 22nd, 2020 Artists: Martin John Callanan, Alix Desaubliaux, Lauren Lee McCarthy Curators : Thierry Fournier and Pau Waelder Participants : Franck Ancel, Flora
  • Anne-marie Morice
    Art critic and curator, essayist, journalist. She founded the website Synesthesie in 1995, the first French-speaking website on art, has carried the project for 20 years (with an online and paper review, exhibitions, a virtual art center, the
  • Excavation
    Excavation (part I), installed in All Saints Church, is a film sequence, projected on to the floor, showing an archaeologist’s hand gouging earth with a trowel during the excavation of Gawthorpe Hall the original Medieval manor house at Harewood.
  • SMART PANTHEON
    All kinds of people are using their smartphones. The displays don’t show any apps – only the sensual movements of the hands. Each pair of hands plays both roles from Michelangelo’s “Creation of Adam” at the Sistine Chapel: God the father and Adam,
  • Revelation of Eve Clone IV -
    In 2014, I was invited to exhibit Revelation of Eve Clone IV in “Raising the Temperature” at the Queens Museum of Arts, New York. The work presented Eve Clone being submerged by seawater in a ruin. The water was dyed red, like blood from the dead.
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