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A-part, festival international d’art contemporain - Saint-rémy-de-provence (Fr)
2013
Event: A-part, festival international d’art contemporain - Saint-rémy-de-provence (Fr)Institution: The Wrong BiennaleComment:
Biennale Internationale Saint-Paul de Vence
2021
Event: Biennale Internationale Saint-Paul de VenceInstitution: The Wrong BiennaleComment:
Musée de la mine - Saint-Étienne (Fr)
2019
Event: Musée de la mine - Saint-Étienne (Fr)Institution: Ars Electronica Linz GmbH & Co KGComment:
Musée de la mine - Saint-Étienne (France)
2019
Event: Musée de la mine - Saint-Étienne (France)Institution: Ars Electronica Linz GmbH & Co KGComment:
Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie
1996
Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie Sarazine 4 (1996).
Selphish. L'exposition de soi
2020
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2020
Selphish. L'exposition de soi Mécènes du sud Montpellier-Sète, May 20th to August 22nd, 2020 Artists: Martin John Callanan, Alix Desaubliaux, Lauren Lee McCarthy Curators : Thierry Fournier and Pau Waelder Participants : Franck Ancel, Flora
Anne-marie Morice
Art critic and curator, essayist, journalist. She founded the website Synesthesie in 1995, the first French-speaking website on art, has carried the project for 20 years (with an online and paper review, exhibitions, a virtual art center, the
Excavation
2012
Excavation (part I), installed in All Saints Church, is a film sequence, projected on to the floor, showing an archaeologist’s hand gouging earth with a trowel during the excavation of Gawthorpe Hall the original Medieval manor house at Harewood.
SMART PANTHEON
2016
All kinds of people are using their smartphones. The displays don’t show any apps – only the sensual movements of the hands. Each pair of hands plays both roles from Michelangelo’s “Creation of Adam” at the Sistine Chapel: God the father and Adam,
Revelation of Eve Clone IV
2014
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2014
In 2014, I was invited to exhibit Revelation of Eve Clone IV in “Raising the Temperature” at the Queens Museum of Arts, New York. The work presented Eve Clone being submerged by seawater in a ruin. The water was dyed red, like blood from the dead.
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