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  • Mori -
    In Mori, the immediacy of the telematic embrace between earth and visitor questions the authenticity of mediated experience in the context of chance, human fragility, and geological endurance. Mori engages the earth as a living medium. Minute
  • The fourth International Conference on the Histories of Media Art, Science and Technology, Rewire, was hosted by FACT (Foundation for Art and Creative Technology) and held in Liverpool, UK, from 28th September to 30th September 2011, In
  • In 2009, the EMAF portrayed over 2000 years of media history with its large exhibition entitled “Image Battles” in cooperation with the Museum of Industrial Culture Osnabrück, Kunsthalle Dominikanerkirche and Erich Maria Remarque Peace Centre. In a
  • We come across irony all the time in everyday communication: in photos, caricatures, texts and conversations. Witty, critical or ironic comments are transformed into questioning works and words using the devices of under- and over-exaggeration,
  • Invisible Cantilever -
    This project considers the distance between the viewer and what is being viewed. How does technology alter our perceptions of distance, scale, and structure? Technologies for viewing continue to evolve, from the camera obscura to the telescope to
  • The Big Questions: And what about me? 1Artist: Maurice BenayounComment:
  • BIOS -
    ... to get the computer system started after turning it on. It is also...
  • Castro, Annabel. Outside in: exile at home. An algorithmic discrimination system. In: Andrés Burbano; Ruth West (coord.) AI, Arts & Design: Questioning Learning Machines. artnodes , no. 26 (July 2020): 1-7.
  • The Observatories -
    The Observatories asked: What techniques make us feel those fight-or-flight or must-buy-it-now urges? It also demonstrated how easy it is to manipulate people through subconscious smell. In standalone structures in the centre of Milton Keynes,
  • The Big Questions: Is God Flat? Dieu est-il plat?Artist: Maurice BenayounComment: