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  • Information Technology Assessment Report
    Ascott, Roy. Information Technology Assessment Report. London: 1998.
  • Diana Domingues
    Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
  • The Ultimate Display
    Sutherland, Ivan E.. The Ultimate Display In Proceedings of International Federation of Information Processing, , 506-508. : 1965.
  • Andy Gracie
    "My artistic practice is characterised by an in depth engagement with process, scientific methodologies and the nature of experiment. Here 'experiment' refers both to the act of acquiring knowledge and information through testing scenarios, and to
  • The Information Bomb (Radical Thinkers)
    Virilio, Paul. The Information Bomb (Radical Thinkers). London, UK: Verso Verlag, 2006.
  • Information Arts: Intersections of Art, Science, and Technology
    Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. Cambridge, MA: The MIT Press, 2003.
  • Art in the Information Age: Technology and Conceptual Art
    Shanken, Edward A.. Art in the Information Age: Technology and Conceptual Art In SIGGRAPH 2001 Electronic Art and Animation Catalog, edited by SIGGRAPH 2001, 8-15. New York: ACM SIGGRAPH, 2001.
  • TechGnosis: Myth, Magic and Mysticism in the Age of Information
    Davis, Erik. TechGnosis: Myth, Magic and Mysticism in the Age of Information. New York: Harmony Books, 1998.
  • Jonathan Harris
    Jonathan Harris studied computer science at Princeton University before winning a 2004 Fabrica fellowship in Italy. He creates online projects that re-imagine how humans relate to technology and to each other. These combine elements of computer
  • Ricardo Iglesias
    Philosophy Bachelor, Madrid Autónoma University (UAM), Fine Arts PhD, Barcelona University (UB): "Robotics as Artistic Experimentation. A Historical Approach to the Evolution of Automaton Machines from the Perspective of the Aesthetics". Currently,
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