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ITCH
2010
The ITCH acronym stands for “Interactive Technology – Community Hacking”, and as such it tries to represent a wide artistic research project concerning with the impact of personal mobile technologies on social behavior, particularly in the public
Electronic Cemetery
1996
Tomb on the Network. A project for a magazine "BRUTUS". A work as a curator of a imaginary museum. Actual museums are sometimes said to be cemeteries for art works, well then, what if I make a cemetery into a museum? Actual cemeteries always
URnotHere
2012
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2013
video
URnotHere is a machine to create cities that confronts the hyperlocative discourse of social media interfaces. It challenges us to create a new geography of nomadic territories on transitory maps. Moreover, the project aims to discuss the landscape
COLORS TUNNEL
2016
When the Web link colors and locations (here Hong Kong), the surprise doesn’t come from the rainbow effect, but rather from how colors are weighed with cultural, social and political connotations. The “digger” in the Colors Tunnel have to go through
Social Turkers
2013
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2014
Social TurkersArtist: Lauren Lee McCarthyComment:
GEMMA ARGUELLO MANRESA
Lecturer at the Department of Philosophy at the Universidad Nacional Autónoma de México (UNAM). I am researcher for the National Research System (Level 1) in Mexico, and Chair of the Feminist Caucus and Social Media Editor for the American Society
Tamiko Thiel
Tamiko Thiel is a media artist interested in the interplay of place, space, the body and cultural memory. She has done pioneering work in developing the dramatic and poetic capabilities of various forms of virtual and augmented reality as media for
The Social Revolution
2011
Pollack, Barbara. The Social Revolution Artnews magazine U.S. (June 2011).
Video: Primera etapa. El vídeo en el contexto social y artístico de los años 60/70.
2004
Baigorri, Laura. Video: Primera etapa. El vídeo en el contexto social y artístico de los años 60/70.. Madrid: Brumaria 4. Asociación Cultural Brumaria, 2004.
Zoe Beloff
Beloff is a filmmaker who doesn´t just make films. Taken as a whole, Beloff´s recent work constitutes a sort of social archeology of cinema. She is particularly interested in excavating the social roots of cinema in the 19th century and reminding us
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