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Collaborative and Transdisciplinary practices in Cyberart: from Multimedia to Software Art installations
2006
DOMINGUES, DIANA MARIA G and Eliseo REATEGUI. Collaborative and Transdisciplinary practices in Cyberart: from Multimedia to Software Art installations Art Inquiry 8 (2006): 113-143.
I N S N (H) A K (R) E S
2003
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2007
The site provides a collaborative network action allowing telepresence and telerobotics. The robot is an agent that inhabits and acts in the physical world. Connecting the website address: http://artecno.ucs.br/insnakes makes it possible for the
conscious love
1999
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1999
The installation was conceived for the art show 'amour et conscience', Paris, 1999 (Atelier Sévigné, 9/9/99 - 9/12/99). It consists of three parts: Five curtains, representing consciousness, digital word-picture-prints on
Hörbare Text Collage / Audible Text Collage
2004
Strauss, Wolfgang and Thomas Goldstrasz and Andreas Muxel. Hörbare Text Collage / Audible Text Collage [].
Herwig Weiser
Herwig Weiser is an interdisciplinary artist who work collaboratively. His long-term investigation of the relationship between electronic information and data systems, and the raw hardware that drives these technologies, draws on aesthetic,
Collage: The Making of Modern Art
2004
Taylor, Brandon. Collage: The Making of Modern Art. London: Thames & Hudson, 2004.
Glitch Traces
2013
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2014
Images collaged from screengrabs taken during the development of the 'Crosstalk' project in 2013-14. Source: Simon Biggs
An Engine of Many Senses
2013
video
An Engine of Many Senses is a generative computational work exploring the history and potential future of the computer. It includes a series of media elements that combine and recombine over time -- 3d images, 2d stills, generative audio, generative
Revolution
1990
video
In this interactive laser-disc-based work the viewer has to push a protruding steel bar to rotate a column-mounted monitor which in turn animates the images on its screen. A friction plate forces the viewers to exert themselves physically. Turning
ReVisioning the Virtual Wall
2009
The digital collages (3 shown here by Tamiko Thiel, and 3 others by Teresa Reuter/Sabe Wunsch) show scenographies of the Berlin Wall that are conceived as associative spaces of memories - by mixing temporal and geographical elements as well as
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