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Listening Post is situated in the permanent collections of the Science Museum, South Kensington, London, and is on site loan to the Decode exhibition. It can be viewed on the first floor of the Science Museum. Listening Post has been presented

YCLONE.SOC brings together two contemporary phenomena: severe weather, the project uses weather data that charts the emergence and progress of hurricanes. the polarized nature of debate that occurs in certain online newsgroup forums. The

Find your own Universal Health We are the only major pharma corporation to have emerged in the 21st century. We are corporate futurists. Our capabilities are unlimited. We are good. We and you and your health are one with the universe. We

Internetscapes series of Electronic Drawings initially developed as project pages for "Untitled". Web2 Krisenstab (Web2 Crisis Staff) Internetbauanleitung (Internet Construction Manual) Netzitadelle (Internet Citadel) Internetscape

"CHAMBERS" is Stenger's second movie in the Virtual Reality TRILOGY, programmed in web-based VRML, it was also conceived for immersion. Narrative, recurrence, timelessness, all 3 aspects of time are at play, in this emotional progression through

L’exposition à la médiathèque George Sand présente le travail vidéo de Maurice Benayoun - La série Quarxs réalisée entre 1990 et 1993 en collaboration avec le dessinateur de bandes dessinées François Schuiten et l'écrivain Benoît Peeters. une des

Julius Popp develops interdisciplinary works in which art and science converge. He trained as a photographer and studied at the Hochschule für Grafik und Buchkunst in Leipzig. Popp has exhibited his work internationally. In 2003 he won the Robot

La Mécanique des émotionsest un grand récit en œuvres: performances, sculptures, installations, machines... eMoving Stills sont comme un film sous-titré dont les photogrammes ponctueraient les étapes, semant les indices d'interprétation d'une

A beautifully crafted set of four tea towels sporting a series of authentic search engine results returned to a user when the criteria, 'Please Help Me', 'Is Anybody there?', 'Please listen to me' and, 'Can you hear me?' were entered into the search

Part I: on the embodied experience and the augmentation of space