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  • A 442 Hz. - video
    Songs of the Revolution “A 442 Hz” is a digital single screen installation by Egyptian media artist Sameh Al Tawil Musicians holding different instruments emerge in front of the steadily focused camera from beyond the screen of the film (hors-champ)
  • VANITAS – SELF-PORTRAIT
    video loop 1,54' Video Vanitas – Self-portrait presents a hypnotic image of the continuous dissolution of the author's face, skull and brain. The repetitive liquefying interplay between the exterior and the technologically-visualized exterior posits
  • NET(WORK) -
    The projetct is dedicated to the phenomenon of nets. As we know, nets are some of the primary means for catching aquatic bioresources. The net thrives as a universal symbol with many possible applications and analogies. The word “net” – set’ – can
  • Zoe Beloff
    Beloff is a filmmaker who doesn´t just make films. Taken as a whole, Beloff´s recent work constitutes a sort of social archeology of cinema. She is particularly interested in excavating the social roots of cinema in the 19th century and reminding us
  • Death of the New (Venice Biennale 1984)
    Penny, Simon. Death of the New (Venice Biennale 1984) Artlink (1984).
  • Necromedia—Reversed Ontogeny or Posthuman Evolution?
    Necromedia - Reversed Ontogeny or Posthuman Evolution?. Necromedia—Reversed Ontogeny or Posthuman Evolution? Digital Death: Mortality and Beyond in the Online Age (2014): 181.
  • Letter
    A navigational poem that presents the viewer with the image of a three-dimensional spiral jetting off the center of a two-dimensional spiral. Both spirals are made exclusively of text. The reader is able to grab and spin this cosmic verbal image in
  • Jun Takita
    Jun Takita, born in 1966 in Tokyo, graduated in 1988 from Nihon University, majoring in arts. He received a Masters from Paris Ecole National d’Art in 1992, having received a scholarship from the French government. He draws heavily from concepts of
  • The Cultural Body’s Death by a Thousand Cuts: Why Society Is No Longer a Body and Why It Can Be Cut to Pieces
    Aceti, Lanfranco. The Cultural Body’s Death by a Thousand Cuts: Why Society Is No Longer a Body and Why It Can Be Cut to Pieces Journal of Visual Culture 14, no. 2 (August 2015): 137-154.
  • Creating Landscapes and Gardens -
    The landscape which contains and surrounds us is the creation of the human community. The garden is nature created by man, a thought created about the world, which appears through human will, is tended and in time, with the transformation of the
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