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  • Manovich, Lev and Arjen Mulder. "Metadating" the Image In Making Art of Databases, edited by Joke BrouwerRotterdam, NL: V2_ Publishers, 2003.
  • Bredekamp, Horst. The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art, and Technology. Princeton, NJ: Markus Wiener Publishers, 1995.
  • AKA the Digital Giraffe, with 46 years experience as a Digital Painter and Digital Sculptor. Editor, programmer, designer, author the Digital Giraffe eZine (www.giraffe.com), an award-winning monthly journal of art and culture now in its 30th year
  • Fleischmann, Monika and Wolfgang Strauss. Liquid Views and the Unconscious Perception In Analyzing Art, Culture, and Design in the Digital Age, edited by Gianluca
  • Kluszczyński, Ryszard W. and Derrick de Kerckhove and Luca Farulli and Monika Fleischmann and Wolfgang Strauss and Ryszard W. Kluszczyński and Derrick DeKerckhove and Luca Farulli and . Performing Data - Monika Fleischmann + Wolfgang Strauss.
  • Layers of Visibility -
    Between 2013 and 2017, a series of artists associated with the University of Plymouth, UK, responded to Cyprus through residencies at Nicosia Municipal Arts Centre. The works included in the exhibition and publication indicate a range of different
  • Dove, Toni. Haunting the Movie In New Visions in Performance: The Impact of Digital Technologies, edited by Gavin Carver and Colin Beardon, 195pp.. Lisse: Swets and Zeitlinger Publishers, 2004.
  • Scholder, Amy and Jordan Crandall, ed. Interaction: Artistic Practice in the Network. New York: Distributed Art Publishers, 2001.
  • Mulder, Arjen and Maaike Post. Book for the Electronic Arts. Rotterdam, NL: V2_ Publishers, 2000.
  • Theme: affective turbulence, the art of open systems. DEAF, the Dutch Electronic Art Festival, is a biennial international and interdisciplinary festival organized by V2_ in Rotterdam (NL) which showcases crossovers between art, technology and