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  • Substance -
    ... Body, by Alan Dunning and Paul Woodrow, is a collaborative, immersive, virtual and augmented reality work that examines the idea... by Michael Alstad and Camille Turner InterAccess Electronic Media Arts Centre in partnership with Subtle Technologies and Year...
  • Oliver Grau
    ... 15 languages. His main research is in histories of media art, immersive images, art and emotion, the history of telepresence,... in 15 languages. His main research is in histories of media art, immersive images, art and emotion, the history of...
  • Re:live 2009
    ...Third International Conference on the Histories of Media Art, Science and Technology.The next iteration of the Media Art History conference is...
  • Hegedus
    ... Groningen, the Kunstakademie Enschede and the Institute of New Media, Städelschule, Frankfurt/Main. In 1992, she was...
  • Creatures #4 -
    ... involves the audience, creating performative experiences and immersive environments. De Pinto is currently studying a hybridisation... artist, a performer, a curator, a theorist and a media trainer. De Pinto strongly uses new media as a thinking medium...
  • Cycloramadrome -
    ... in which the spectators can interact with the work in the immersive ambient environment. Exploiting the technology of 360-degree...
  • Diadrama
    ... to capture a 270-degree field of view in order to create an immersive panoramic image for the audience.
  • Mori: The Telematic Embrace
    ... live seismic data stream drives an embedded visual display and immersive low-frequency sounds, which echo the unpredictable...
  • Rewire 2011
    ...The fourth International Conference on the Histories of Media Art, Science and Technology, Rewire, was hosted by FACT (Foundation for Art and...
  • erotogod -
    ... expressed through three dimensional, liquid text, 16 channel immersive, real-time audio and a tactile bodysuit. The... Erotogod is a media art project that generates new stories of creation. The project elaborates on the sensual dimension of aesthetics by...
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