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  • Uršula Berlot, (b. Ljubljana, 1973) studied philosophy at the Faculty of Arts for two years, then painting at the Academy of Fine Arts, University of Ljubljana, and at the Ecole Nationale Supérieure des Beaux-Arts in Paris. She received her PhD in
  • Laposky, Ben, ed. Electronic Abstractions. Cherokee: Stanford Museum, 1953.
  • Laposky, Ben F.. Oscillions: Electronic Abstractions Leonardo 2 (Autumn 1969): 345-354.
  • “Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
  • Berlot, Uršula. Pictorial Abstractions: Visualizing Space in the Eras of Modernism and Information AR / Architecture Research I/2018 “Correspondences”. Ljubljana: Faculty of Architecture, University of Ljubljana (2018).
  • .. interested in the poetry and metaphysics of new technologies. He has created a series of award-winning works that probe the expressive power of new technologies to ask questions about the world ..
  • Autoinducer_Ph-1 -
    Autoinducer_Ph-1 (cross cultural chemistry) exploits a traditional rice cultivation technique from SE Asia where Azolla is grown in large quantities and used as an organic, nitrogen rich fertilizer in the rice paddies. In the installation this
  • Drawing by Numbers -
    Drawing by Numbers demonstrates the conversion process from an analogue life drawing to a digital drawing described in code. At a workshop at the Media Space in the Science Museum, London, participants could scan a recently completed life drawing
  • Ellen Pearlman is a New York based media artist, curator, writer and critic. She is a Research Fellow at MIT, Senior Research Assistant Professor at RISEBA University in Riga, Latvia and a Contributing Editor to Performance Arts Journal (PAJ) MIT
  • Sommerer, Christa and Laurent Mignonneau. Life Spacies In Siggraph’99 Conference Abstracts and Applications, , 170. New York: ACM, 1999.