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Fray: Coming Away the Ends
2010
4 projector slide dissolve work 2010 The work is a meditative piece that follows the 10 or more ways that come together in the cell to cause it to die and us to age; the protein debris that accumulates, the chromosome damage produced, etc. etc. The
Latent Figure Protocol
2007
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2009
Latent Figure Protocol takes the form of a media installation that uses DNA samples to create emergent representational images. The installation includes a live science experiment, the result of which is videotaped and repeated for the duration of
The Polar Window series
2006
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2014
POLAR WINDOW series 2006 - 2015 (In Progress) : Synthetic Diaries of Illusion: the circle of transfiguration is infinite. POLE A : “That which did not exist in the past and will not exist in the future has no existence of its own while it lasts.…
Global Vulva
2009
The animation Global Vulva connects female figures and vulva symbols from different times, countries and cultures, while they morph into each other - the cultural meaning of the female genital becomes visible again. You'll see paleolithic
Photo Works
1973
This series of works made using photographic media explores the aesthetics of the double entendre and visual pun. A series of photographic prints on linen included: A tablecloth printed with a picture of a place setting after the meal has been eaten
Infinite Line
2014
The Infinite Line proposes new modes of spectatorship in the performance of poetry. In the tradition of Oulipo, the ‘workshop of potential literature', this interactive installation gives visitors the opportunity to recombine the poetic ensemble of
ABSTRACT SHOTS
2018
The ABSTRACT SHOTS are some of the outcomes of the BRAIN FACTORY that gave the exhibition spectators in Paris, Seoul, Brisbane and Hong Kong the possibility to become “brain-workers”. Using no hands and no words, they gave a shape to human
LEIKHEN
2018
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2018
Inspired by the composite plant of lichen (from Greek: leikhen), which is the result of a hybrid partnership between a fungus and an alga. The installation is therefore a reflection upon the interaction and mutualistic relationship between two
Telling Motions
1985
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1986
video
Telling Motions Bill Seaman 1985-86, 20:10 min, color, sound This dreamlike, hypnotic work is structured in four sections, each of which repeats, in various permutations, key visual and verbal systems. Part One introduces the main theme — a poetic
Palette
2015
Palette is a series of projected images of a coral as it moves through time on its own accord. It was produced through time-lapse photography at the Marine Biological Laboratory at Woods Hole, Massachusetts. Each time-lapse video is projected onto
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