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Ksenia Fedorova
Ksenia Fedorova is a media art researcher and curator. She holds Ph.D in Philosophy/Aesthetics (St.Petersburg, Ekaterinburg, RU) and is a PhD candidate at the Cultural Studies Graduate Group, University of California Davis. Her research interests
Featured Artist Victor Acevedo
02/2022
... Acevedo’s visual music explores the implications of synesthesia through computer animated geometry.
Monogram
1996
August 22, 1997 (Kennedy Space Center, Florida)— A Jet Propulsion Laboratory technician inserts the DVD containing Kac's Monogram and many other files into a shallow cavity between two pieces of aluminum that protected it from micrometeoroid
The Etcher's Byte: The Piety of the Print; The Pixelation of the Panoptic in Four Southern California Shows
1994
Anderson, Isabel. The Etcher's Byte: The Piety of the Print; The Pixelation of the Panoptic in Four Southern California Shows VISIONS Art Quarterly (Spring 1994).
Beryl Graham
Beryl Graham is an artist, curator, writer and educator with a special interest in curating and new media art. She is a Research Professor at the University of Sunderland, and co-founder and co-editor of the website CRUMB, Curatorial Resource for
Jussi Parikka
Jussi Parikka is a media theorist, writer and Professor in Technological Culture & Aesthetics at Winchester School of Art (University of Southampton). Parikka has a PhD in Cultural History from the University of Turku, Finland and in addition, he is
LASER: Leonardo Art Science Evening Rendezvous
2018
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2018
Event: LASER: Leonardo Art Science Evening RendezvousInstitution: California Nanosystems Institute @ UCLAComment:
City of glass: Sideways
2006
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2006
COLAB Art and Architecture, Bangalore Two-person show with Christoph Schäfer, who lives and works in Hamburg, Germany. Not long ago, architectural modernism presented the glass facade as equivalent to participation and empathy with the
Lorna
1979
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1982
video
LORNA 1979-1983 A.D. A.D. "A precondition to video is that it does not talk back. It absorbs, rather than reflects." Preliminary Notes, 1981 While video was like a reflection that did not talk back, interactive works were like a trick, two
Three Junctures of Remix
2013
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2013
Curator: Eduardo Navas
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