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Grau, Oliver. Das Sedanpanorama. Einübung soldatischen Gehorsams im Staatsbild
durch Präsenz In Panorama: Virtualität und Realitäten - II. Internationale Panoramakonferenz in Altötting 2003, , 38 - 52. : Verlag Koch - Schmidt - Wilhelm GbR, 2005.

Grau, Oliver. Die visuelle Zukunft. Medienkunst - so vielseitig wie noch nie In DGPh intern (Deutsche Gesellschaft für Photographie), Vol.28. , 9 - 11. : 2005.

Grau, Oliver. A história da telepresenca: automatos, ilusao e a rejeicao do corpo In Corpos Virtuais, edited by Ivana Bentes, 112-117. Rio de Janeiro, Brazil: Centro Cultural Telemar, 2005.

Grau, Oliver. Database of Virtual Art In Ars Electronica 2005: Hybrid - Living in Paradox, edited by Gerfried Stocker and Christine Schöpf, 404-405. Ostfildern-Ruit: Hatje Cantz, 2005.

Grau, Oliver. Integrating Media Art into Our Culture - Art History as Image Science a minima 13 (2005): 114-123.

Baumgärtel, Tilman. Media Online In Art Meets Media: Adventures in Perception, , 138ff. Tokyo: NTT Publishing Co., 2005.

Archer, Michael and Julian Stallabrass. Thomson and Craighead Minigraph. London, UK: Film and Video Umbrella, 2005.

Ebner, Jorn. Portable Landscape. Berlin: The Greenbox, 2005.

Arns, Inke and Jacob Lillemose. Es arte contemporáneo, imbecil - Comisarios de arte digital para
sacarlos del gueto, a minima new media, actual art 13 (2005): 164-175.

krcf. Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign In Sarai Reader 2005: Bare Acts, edited by Monica Narula and Shuddhabrata Sengupta and Jeebesh Bagchi and Geert Lovink, 111-114. Delhi: Sarai Media Lab, 2005.