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Sacred Code
2003
-
2003
"Sacred Code" is a rumination on three holy texts:The Old Testament, The New Testament and the Koran, as seen through a digital lens. In this new artwork, Napier has created algorithms that read these three books bit by bit, literally reading
Ästhetik des Digitalen
2002
Gianetti, Claudia. Ästhetik des Digitalen. Vol.1. SBN 3-21
1-0
0571-4, 1 th ed.ien Ney York: Springer Wien Ney York, 2002.
Janet Cardiff
Janet Cardiff was born in Brussels, Ontario in 1957. She began her formal art studies at Queen's University, where she earned her bachelor's degree in 1980. In 1983, she earned a master's degree in Visual Arts from the University of Alberta. During
The Dump: Recycling of Thoughts
2010
-
2010
... sociale de l’art en
Polo
gne. 3 The...
digital "Minuets and
Polo
naise"
1985
-
1985
...digital "Minuets and
Polo
naise" is a digital transcription of...
Stellrscope (Exhibition Catalogue)
2013
Gates-Stuart, Eleanor. Stellrscope (Exhibition Catalogue). ISBN 978-1-4863-0088-4, Canberra: CSIRO, Australia, 2013.
make-A-move - version2
2015
-
2015
"make-A-move" is a site-specific, responsive, screen-based installation involving two encased flat screens, digital animation, software design, and physical interaction. Two automated portraits - a female and a male subject photographed by the
(in)human sciences
2006
-
2006
“(In)human Sciences” was made for the exhibition Neterotopia, curated by Daniele Balit and Pierre Mertens. During March 2006, my work was displayed in the advertising space of the website of the french newspaper Libération. The exhibition was also
CODeDOC II exhibition
2003
CURATORIAL STATEMENT:Many of the prominent international practitioners in the field of software art could not participate in the first version of CODeDOC since the Whitney Museum is, by its mission, devoted to American artists (citizens and artists
010101
2001
Cutler, Randy Lee. 010101 Canadian a/r/t 18, no. 3 (Fall 2001): 118-
120
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