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  • Ultima Ratio. Software und Interaktive Installation
    Daniela Alina Plewe. Ultima Ratio. Software und Interaktive Installation In Ars Electronica 98: Infowar: Information, Macht, Krieg, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer, 1998.
  • Hybrid Architectures - Media Information Environments
    Seaman, Bill. Hybrid Architectures - Media Information Environments In Intelligent Environments: Spatial Aspects of the Information Revolution, edited by Peter DroegeAmsterdam, NL: North Holland, 1997.
  • Information Is Alive
    Brower, Joke and Arjen Mulder, ed. Information Is Alive. Rotterdam, NL: V2_Publishing, 2003.
  • Videoschwelle -
    Video installation in public space In the context of the project Freizone Dorotheergasse (Wiener Festwochen and Galerie Metropol), Vienna (AT) In co-production with Gudrun Bielz The work 'Videoschwelle' was conceptualized as part of an exhibition in
  • Blast Theory
    Blast Theory is renowned internationally as one of the most adventurous artists' groups using interactive media. Lead by Matt Adams, Ju Row Farr and Nick Tandavanitj the group has a team of seven and is based in London. The group's work explores
  • Information Processing based on Life-like Paradigm
    Shimohara, Katsunori. Information Processing based on Life-like Paradigm Journal of Information Processing Society of Japan 36, no. 4 (April 1995).
  • Art as Living System
    Sommerer, Christa and Laurent Mignonneau and M. Kusahara. Art as Living System Systems, Control, and Information Journal 40, no. 8 (1996): 16-23.
  • Overview of Tierra at ATR
    Ray, Tom. Overview of Tierra at ATR Technical Information, Technologies for Software Evolutionary Systems , no. 15 (2001).
  • Das Rauschen des Beobachters
    Weibel, Peter. Das Rauschen des Beobachters In Mythos Information. Welcome to the Wired World., edited by Karl Gerbel and Peter Weibel, 8-23. Wien, New York: Springer Verlag, 1995.
  • Sheldon Brown
    Sheldon Brown is Director of the Center for Research in Computing and the Arts (CRCA) at the University of California at San Diego (UCSD) where he is a Professor of Visual Arts and the head of New Media Arts for the California Institute of
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