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Record Again! 40 Jahre Videokunst.de. Teil 2 2012 - 2012

The goal was to save video material threatened with disappearance and to rescue forgotten material. The project succeeded in retrieving a large number of videos from the 1960s and 1970s, believed lost, from artists, estates, and museum storerooms;
Haptic Field 2016 video

... environment where nothing is what it seems and...
Entangled: Technology and the Transformation of Performance 2010

Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge, MASS: The MIT Press, 2010.
The Poetics of Sonic Interaction Design 2013

Salter, Chris and Karmen Franinovic. The Poetics of Sonic Interaction Design In Sonic Interaction Design: Process and Products, edited by Karmen Franinovic and Stefania SerafinCambrigde, MA: The MIT Press, 2013.
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2008

Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.
The Medusa Project

THE MEDUSA PROJECT (AUTOBIOGRAPHY) refers to the relationship between women and power as depicted in both ancient mythology, and in postmodern culture. It represents my attempt to directly merge personal history and influences into the production of
Dramaturgies of Sound: Interactive Sound Design in Live Performance 2008

Chris Salter. Dramaturgies of Sound: Interactive Sound Design in Live Performance In Proceedings for the 1st International Workshop in Sonic Interaction Design, Florence, Italy: 2008.
Reflections on the 8th International Biennale of Champ Libre 2009

Chris Salter. Reflections on the 8th International Biennale of Champ Libre Etc: Revue de L’Art Actuel (March 2009).
Chronopolis: Inhabiting Time 2004

Salter, Chris and Erik Adigard. Chronopolis: Inhabiting Time Loudpaper Magazine (June 2004).
Tina Sauerlaender

Tina Sauerlaender (she/her) is an art historian, curator, speaker and writer. She holds a PhD from The University of Arts, Linz, Austria. The title of her dissertation is PERFORMING IDENTITIES. Self-Representation in Art from the Renaissance to

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