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Virtual World
1995
...Cashill, Robert. Virtual World
The
atre Crafts International TCI 29, no. 2 (February 1995): 44.
Rewire 2011
2011
...
The
fourth International Conference on
the
Histories of Media Art, Science and Technology, Rewire, was... media histories in
the
context of wider
cult
ural and technological developments, and...
Euopean Media Art Festival 1992
1992
...In contrast to
the
tendency perceived in previous years, an increase in film entries and
the
trend... "D’Ghetto Eyes" broached
the
issue of
cult
ural identity and current social problems in
the
...
European Media Art Festival 2000:Now/Future
2000
-
2000
...This year, EMAF’s congress – under
the
motto "European Digital Visions" – focused on
the
cult
ural... Digital Visions" – focused on
the
cult
ural self-image of our mediatised society...
European Media Art Festival 2007: 20 Years of Being Confused
2007
...To mark its 20th anniversary,
the
congress part of EMAF called "D-Fluxx" presented not only a kind of... funded by
the
Institute for Foreign
Cult
ural Relations (IfA), and
the
special "Viva...
Computers as
The
atre
1991
...Laurel, Brenda. Computers as
The
atre. Amsterdam, NL: Addison-Wesely Longman, 1991.
The
discreet charme of Technology / El discreto encanto de la tecnología
2008
-
2008
...zation: Regional Ministry for
Cult
ure and Tourism of
the
Autonomous Government of Extremadura Office... Organization: Regional Ministry for
Cult
ure and Tourism of
the
Autonomous Government of Extremadura...
Metapaisajes. El paisaje a través del arte digital
2007
-
2008
...
The
landscape is not just
the
natural environment or its representation. It is in itself a
cult
ural... or its representation. It is in itself a
cult
ural construct, subject to
the
codes and...
NEoN Festival 2017
2017
-
2017
... NEoN Festival invites you to examine
the
origin and understanding of digital arts...
the
backdrop of our assumptions about its
cult
ural motifs or traditions.
The
events and...
Virtual Reality and
the
The
atre: Immersion in Virtual Worlds
1999
...Reaney, Mark. Virtual Reality and
the
The
atre: Immersion in Virtual Worlds Digital Creativity 10, no....
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