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Digital Landfill
1998
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1998
An neverending archive of digital trash. The artist has created an interface, in which the User can copy files from his computer or foreign websites - he can trash them. In a few seconds the files appear in different layers on the monitor. Now you
Brain Wave
2009
Ann Landi. Brain Wave ARTnews (June 2009): 92-93.
Contact Field
2011
Landing fields
Sylvia Eckermann
Sylvia Eckermann In Sylvia Eckermann's work, a discursive engagement with form and media culminates in critical artistic reflections about our entanglement as individuals in current socio-economic situations. Eckermann works with various media
The Large METEOR T-R-A-P
2014
42-The Large Meteor T-R-A-P investigates the possibilities of calculating and steering a meteor safely down to Earth. On October 7th 2008 the first meteor ever to be predicted impacted in Sudan exactly on time. Many scientists are working on
PROCEEDINGS OF THE 50TH ANNIVERSARY SUMMIT OF ARTIFICIAL INTELLIGENCE
2007
The Dynamic Darwinian Diorama: A Landlocked Archipelago Enhances Epistemology. PROCEEDINGS OF THE 50TH ANNIVERSARY SUMMIT OF ARTIFICIAL INTELLIGENCE (2007).
Walk Münster
1997
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1997
Walk Münster, Park I Location: Münster inner city The artist has created for the exhibition visitor an individual Walkman-tour through the inner city of Münster, wherein she draws from the didactic form of guided audio tours. Instead of a
Enerugii Wa Antee Shite Inai (Unstable Energy)
2006
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2006
Generative festival identity for the V&A's new landmark show Decode: Digital Design Sensations. The project is fully open source and include public comptetition to recode the original identity. Commissioned by: Victoria and Albert Museum, London
HOME OF THE BRAIN - PHILOSOPHERS' HOUSES
1989
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1991
video
HOME OF THE BRAIN (1989-91) - PHILOSOPHERS' HOUSES Created between 1989 and 1991 by Monika Fleischmann and Wolfgang Strauss, Home of the Brain is one of the first Virtual Reality (VR) artworks to incorporate a data glove and a head-mounted display
Early Performances
1980
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1982
In the early '80s Eduardo Kac gave weekly performances on the streets of Cinelandia, the Bohemian center of Rio de Janeiro. He also performed at theaters, galleries, and on beaches. He concluded his performance project with a celebration of the
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