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  • Software Evolution
    Ray, Tom S.. Software Evolution Systems, Control and Information 40, no. 8 (1966): 337-343.
  • Hardware, Software, ARTwear
    Blase, Christoph and Margaret Morse. Hardware, Software, ARTwear. Ostfildern-Ruit: Hatje Cantz, 1998.
  • Ryoji Ikeda
    Japan's leading electronic composer Ryoji Ikeda focuses on the minutiae of ultrasonics, frequencies and the essential characteristics of sound itself. His work exploits sound's physical property, its causality with human perception and mathematical
  • (collective) Mansoux / Valk
    Aymeric Mansoux has taken part in many artistic experiments based on the internet and the emergence of networks, and considers any form of data to be a new clay that can be used to develop autonomous artistic processes. His most recent projects
  • Software Art
    Cramer, Florian and Ulrike Gabriel. Software Art .
  • Fugitive
    Morse, Margaret and Christoph Blase. Fugitive In Hardware Software Artware, Ostfildern-Ruit: Hatje Cantz, 1998.
  • Public CulturalProduction Art(Software){
    Public CulturalProduction Art(Software){Author: Paul, Christiane
  • Epigenetic Painting: Software As Genotype, A New Dimension of Art
    Verostko, Roman. Epigenetic Painting: Software As Genotype, A New Dimension of Art Leonardo 23, no. 1 (1990): 17-23.
  • Max Rheiner
    Artist, software developer and researcher. Rheiner was trained as an electrician and studied new medias at Zurich’s Hochschule fuer Gestaltung und Kunst ( University of the Arts). He teaches Interaction Design and Master of Arts in Design / Field of
  • SWAMP
    SWAMP (Studies of Work Atmosphere and Mass Production) focuses on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between
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