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Video: Primera etapa. El vídeo en el contexto social y artístico de los años 60/70. 2004

Baigorri, Laura. Video: Primera etapa. El vídeo en el contexto social y artístico de los años 60/70.. Madrid: Brumaria 4. Asociación Cultural Brumaria, 2004.
Predicting Social Trends from Non-photographic Images on Twitter 2015

Manovich, Lev and Mehrdad Yazdani. Predicting Social Trends from Non-photographic Images on Twitter http://manovich.net/index.php/projects/predicting-social-trends.
Zooming into an Instagram City: Reading the Local Through Social Media 2013

Manovich, Lev and Nadav Hochman. Zooming into an Instagram City: Reading the Local Through Social Media First Monday (JULY 2013).
Trending: The Promises and the Challenges of Big Social Data 2011

Manovich, Lev. Trending: The Promises and the Challenges of Big Social Data http://manovich.net/index.php/projects/trending-the-promises-and-the-challenges-of-big-social-data.
Social Data Browsing 2006

Manovich, Lev. Social Data Browsing http://manovich.net/index.php/projects/social-data-browser.
When Aesthetic Is Not Just a Pretty Picture: Paolo Cirio's Social Actions 2014

Aceti, Lanfranco. When Aesthetic Is Not Just a Pretty Picture: Paolo Cirio's Social Actions Leonardo Electronic Almanac 20, no. 1 (January 2014): 232-249.
Conversations in Art & Social Justice: Discourses on critical contemporary issues 2019

Weinberg/Newton Gallery. Conversations in Art & Social Justice: Discourses on critical contemporary issues https://soundcloud.com/weinbergnewtongallery.
Art Futura 2009: From Virtual Reality to Social Networks 2009

Event: Art Futura 2009: From Virtual Reality to Social NetworksInstitution: Art FuturaComment:
transmediale.11: response:ability 2011

In our post-future era of acceleration and densification of information, the state and nature of being live and online becomes one of the crucial definers of our social presence. Response and action are compressed into an existential here and now
VideoFest '91 1991

1991 – the character of the programme has become more angular than before; there are more works that irritate in form and content, more documentaries that ry to find an innovative formal language for exciting topics, surprisingly more works that use

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