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The Divine Comedy: Francisco Goya, Buster Keaton, William Kentridge
2004
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2004
Event: The Divine Comedy: Francisco Goya, Buster Keaton, William KentridgeInstitution: Vancouver Art GalleryComment:
wordotcomnodot
2000
-
2000
é um ensaio sobre a condição da palavra no contexto digital. Apresenta uma antologia da literatura criada para a Internet, um guia comentado de sites sobre a criação e o desenvolvimento de conteúdos com hipertexto, e um fórum aberto ao público sobre
Inquietudes de una época. Comentarios en torno a la estética de las Vanguardias
1996
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1996
Event: Inquietudes de una época. Comentarios en torno a la estética de las VanguardiasInstitution: Laesfera AzulComment:
Comestiblemealplan-Weave
2019
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2020
video
Comestiblemealplan-WeaveArtist: Pat BadaniComment:
Delicate Balance
1995
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1995
Delicate Balance is an interactive robotic work designed to allow a fish to determine the direction that it moves along a wire, so it can explore it's environment beyond the limits of the tank. Bettas have excellent sight giving them the
"Comfort criteria in space. The electronic model house. Sound: Simulation of Acoustics".
1989
Strauss, Wolfgang and Monika Fleischmann. "Comfort criteria in space. The electronic model house. Sound: Simulation of Acoustics". .
Guardian Angel
2001
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2001
Guardian Angel is a fictitious corporation that offers a broad range of highly personalized services in exchange for extreme personal surveillance. The installation is made up of three elements: a video projection of a live, fairly invasive video
I Am Not Me, The Horse Is Not Mine
2009
A comic and visually dazzling performance by renowned South African artist William Kentridge, in "I Am Not Me, the Horse is Not Mine," the artist himself gives an unusual presentation related to his current opera-in-progress: a work inspired by
The Coming and Going of Images
2000
Arnheim, Rudolf. The Coming and Going of Images Leonardo 33, no. 3 (2000): 167-168.
Es arte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima
2005
Arns, Inke and Jacob Lillemose. Es arte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima new media, actual art 13 (2005): 164-175.
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