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Virtual Reality on View in the Guggenheim Museum Soho
1994
LeVasseur, Carleen. Virtual Reality on View in the Guggenheim Museum Soho Virtual Reality World (Jan-Feb 1994): 42-45.
Soil and Protoplasm: The Hylozoic Ground Project
2011
Armstrong, Rachel and Philip Beesley. Soil and Protoplasm: The Hylozoic Ground Project ARCHITECTURAL DESIGN: PROTOCELL ARCHITECTURE 81, no. 2 (2011): 78-89.
Soil and Protoplasm: The Hylozoic Ground Project
2011
Armstrong, Rachel and Philip Beesley. Soil and Protoplasm: The Hylozoic Ground Project ARCHITECTURAL DESIGN: PROTOCELL ARCHITECTURE 81, no. 2 (2011): 78-89.
(IM)MATERIAL PROCESSES: NEW DIGITAL TECHNIQUES FOR ARCHITECTURE, Hylozoic Soil by Philip Beesley
2008
Leach, Neil and Xu Weigo, ed. (IM)MATERIAL PROCESSES: NEW DIGITAL TECHNIQUES FOR ARCHITECTURE, Hylozoic Soil by Philip Beesley. Beijing: China Architecture & Building Press, 2008.
Von der Medienkunst zur Wissenskunst.Zur Ausstellung „Wissenskünste aus der eCulture Factory“
2005
Dinmla, Söke. Von der Medienkunst zur Wissenskunst. Zur Ausstellung „Wissenskünste aus der eCulture Factory“ [].
Von der Medienkunst zur Wissenskunst.Zur Ausstellung „Wissenskünste aus der eCulture Factory“
2005
Dinkla, Söke. Von der Medienkunst zur Wissenskunst. Zur Ausstellung „Wissenskünste aus der eCulture Factory“ [].
Connected Cities: Kunstprozesse im Urbanen Netz
2000
Dinkla, Söke and Christoph Brockhaus. Connected Cities: Kunstprozesse im Urbanen Netz. Ostfildern-Ruit: Hatje Cantz, 2000.
George Legrady in der Kunst- und Austellungshalle Bonn, Deutschland
1998
Dinkla, Söke. George Legrady in der Kunst- und Austellungshalle Bonn, Deutschland Das Kunst-Bulletin 1/2 (Jan/Feb 1998).
Pioniere Interaktiver Kunst von 1970 bis heute
1997
Dinkla, Söke. Pioniere Interaktiver Kunst von 1970 bis heute. Edition ZKM, Ostfildern-Ruit: Hatje Cantz, 1997.
Vademecum digitaler Kunst, Söke Dinkla: Pioniere Interaktiver Kunst bis heute
1998
Grau, Oliver. Vademecum digitaler Kunst, Söke Dinkla: Pioniere Interaktiver Kunst bis heute In Jahrbuch computer art faszination, edited by Gerhard Dotzler, 275-276. Frankfurt/Main: Dr. Dotzler Medieninstitut Verlag, 1998.
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