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Hardware, Software, ARTwear 1998

Blase, Christoph and Margaret Morse. Hardware, Software, ARTwear. Ostfildern-Ruit: Hatje Cantz, 1998.
Max Rheiner

Artist, software developer and researcher. Rheiner was trained as an electrician and studied new medias at Zurich’s Hochschule fuer Gestaltung und Kunst ( University of the Arts). He teaches Interaction Design and Master of Arts in Design / Field of
SWAMP

SWAMP (Studies of Work Atmosphere and Mass Production) focuses on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between
Software Art 2001

Cramer, Florian and Ulrike Gabriel. Software Art .
Hardware - Software - Artware: Die Konvergenz von Kunst und Technologie. Kunstpraktiken am ZKM Institut für Bildmedien 1992 - 1997 1997

ZKM Karlsruhe, ed. Hardware - Software - Artware: Die Konvergenz von Kunst und Technologie. Kunstpraktiken am ZKM Institut für Bildmedien 1992 - 1997. Ostfildern-Ruit: Hatje Cantz, 1997.
Fugitive 1998

Morse, Margaret and Christoph Blase. Fugitive In Hardware Software Artware, Ostfildern-Ruit: Hatje Cantz, 1998.
Public CulturalProduction Art(Software){ 2003

Public CulturalProduction Art(Software){Author: Paul, Christiane
The Visible Radio: Process Visualization of a Software-Defined Radio 2005

Hall, Matthew and Alex Betts and Donna Cox. The Visible Radio: Process Visualization of a Software-Defined Radio In IEE Visualization, edited by Minnesota IEEE Press Minneapolis, 21. Minneapolis, Minnesota: 2005.
Epigenetic Painting: Software As Genotype, A New Dimension of Art 1990

Verostko, Roman. Epigenetic Painting: Software As Genotype, A New Dimension of Art Leonardo 23, no. 1 (1990): 17-23.
System Stories and Model Worlds: A Critical Approach to Generative Art 2005

Whitelaw, Mitchell. System Stories and Model Worlds: A Critical Approach to Generative Art In Readme 100: Temporary Software Art Factory, edited by Olga Goriunova, 135-154. Norderstedt: BoD, 2005.

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