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  • Hershman-Leeson, Lynn, ed. Clicking In. Seattle: Bay Press, 1996.
  • Snow Globe was the official email announcement for the Whitney Museum's BitStreams and Data Dynamics show, which ran from March 22 through June 10, 2001. It was a microsite in form of an animated snow globe containing information about the show and
  • Dinkla, Söke. From Participation to Interaction: Towards the Origins of Interactive Art In Clicking In: Hot Links to a Digital Culture, edited by Lynn Hershman-LeesonSeattle: Bay Press, 1996.
  • Dislocation of Intimacy is a net-based installation by Ken Goldberg and Bob Farzin that explores the delicate relationship between the immediate and the mediated. The installation includes a sealed black steel box in our studio that is accessible
  • Generative festival identity for the V&A's new landmark show Decode: Digital Design Sensations. The project is fully open source and include public comptetition to recode the original identity. Commissioned by: Victoria and Albert Museum, London
  • Breath
    https://www.google.com/search?client=firefox-b-d&q=peter+lang+leipzig
  • Curator: Tom Lisboa
  • Ascott, Roy. Behaviour at Table In Architectural Projects and Drawings from the Studio of Aslop, Barnett and Lyall, edited by Will Aslop and Cliff Barnett and John LyallLondon: Architectural Association, 1984.
  • “Kryophone“ is a sonorous and luminous interactive sculpture made of ice. This interactive sculpture is composed with ice and reacts to the electrostatic touch of bodies. Sounds and light evolve according to the intensity of electrostatic contact.
  • Powerbike -
    This mutant bicycle, the pedal and gear mechanism of which is made up of a flexible ladder, symbolizes the “seven deadly wishes”. Visitors are invited to climb up to the seat but when they try, the mechanism moves into reverse, turning the user into