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  • Headquarter Hewlett-Packard Berlin 1991. OFFICE WITH WINGS - Calculated design as a practical art form. Virtual Reality Simulation of design, light planning and participation planning for the employees.
    Strauss, Wolfgang and Monika Fleischmann. Headquarter Hewlett-Packard Berlin 1991. OFFICE WITH WINGS - Calculated design as a practical art form. Virtual Reality Simulation of design, light planning and participation planning for the employees.
  • To
    Zellen, Jody. To. California: Self-published, 2004.
  • Standing still : still standing
    Zellen, Jody. Standing still : still standing. California: self-published, 1999.
  • Die Tragtasche als Informationstransformator
    Zillner, Christian. Die Tragtasche als Informationstransformator Published in: Ruth Schnell, Lisi Hämmerle Gallery, Catalog, Bregenz.
  • Plasm: Not a Crime -
    "Plasm: not a crime" is the artistic statement of Peter Broadwell and Rob Myers that sharing secrets is not a crime. It used to be that most interactions between people took place face to face. If you had a desire to keep something confidential,
  • Marco Donnarumma
    Italian-born Marco Donnarumma is a performer, musician and writer based in London. He explores the dimensions of the human body in relation to real, virtual and cultural spaces through performances, concerts and installations. In his works, sound,
  • Ruth Schnell – Virtual Terms
    Zillner, Christian. Ruth Schnell – Virtual Terms Published in: Veröffentlichte Kunst, Kunst im öffentlichen Raum Issue 4, Catalog des NÖ Landesmuseums, Wien.
  • In/different Spaces
    Schnell, Ruth. In/different Spaces Lecture, 1999 as part of the project Differenz held at the Institute of Art History of the University of Innsbruck. Published in: Institute of Art History of the University of Innsbruck (editor): Differenz,
  • In/different Spaces
    Schnell, Ruth. In/different Spaces Lecture, 1999 as part of the project Differenz held at the Institute of Art History of the University of Innsbruck. Published in: Institute of Art History of the University of Innsbruck (editor): Differenz,
  • Esteban Garcia Bravo
    Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless
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