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  • Sensity -
    ... sphere, but this depends on your budget. 4. Sensity can also installed permanently or for a longer period in rural or urban space, depending on your budget. 5. I am available to give talks on this work. 6. You can fund the next development of my research...
  • ... a spring that feeds into the track, along with field recordings made at the site that capture the sonic architecture of the space. The film was first exhibited at Plymouth Arts Centre from 10 to 19 January 2017.
  • ... visitors (Nemo Observatorium, Mirror, Pericope/Horizon Machine). Later he creates larger mobile environments dealing with space and orientation often using the visitor as a co-actor (Orbit, Nevel, Compass, Boreas, Transporter). His projects often involve...
  • Plasm: A Nano Sample -
    ... of each exploratory vehicle, clouds of passive brass flakes are swirled and grasped by unseen winds flowing through the space, while being herded and chipped off by the intrusive observation vehicles. A variety of different object systems (flying...
  • Mercury - video
    ... effective at representing reality, as VR simulates a credible alternative to analog, visible world for the eyes: a suggested space where one seems “actually” to be located. Text by the HeK Team
  • ...NUNES, Fabio Oliveira and Soraya BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
  • ... situated on the intersection of media archaeology, visual arts and sound arts. His artworks and research focus on the space-time dimension(s) of cylindrical anamorphosis, and on the question of how a spatialized installation set-up can trigger...
  • ...The YOUbiläums Browser (kots.nu/mzedck). The history of the ZKM between 1997 and 2007 becomes a space pervading interface: by means of the Linear Navigator designed by Jeffrey Shaw in 1999, the visitors are able to call up video documentation on selected exhibitions...
  • Cloud Murmurs -
    ... So servers, hidden and jealously protected, continuously working far away from our eyes (and ears). Actually it’s a noisy space, dominated by strong winds of the cooling fans perpetually turned on that overwhelm any other sound. But if we listen to...
  • ...Spectators enter an intimate space to meet face-to-face with a performer offering her body as an interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple buttons and dimmers. Scenes and...