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  • Mixed reality installation "COMBATscience Augmented II" is a mixed reality installation that critically reflects on science and its ethical implications, beginning with the gas attacks in World War I and continuing to contemporary research on
  • Kusch, Martin and Marie-Claude Poulin. Diver: a cyber-kinesthetic installation In Digital Synesthesia - A Model for the Aesthetics of Digital Art, edited by Katharina Gsöllpointner and Ruth Schnell and Romana Schuler, 114-117. Berlin: De
  • Krejs, Christiane and Martin Kusch and Alexandra Schantl and Ruth Schnell. #fuckreality. Kunstraum Niederösterreich. 5 October- 24 November. Vienna: Verlag für Moderne Kunst, 2018.
  • Kusch, Martin and Ruth Schnell. Fulldome / VR & AR Lab - University Infrastructure Environment In Ars Electronica 2020 - Festival for Art, Technology and Society, edited by Hannes Leopoldseder and Christine Schöpf and A. Wöran, 202-204. Berlin:
  • Castro, Annabel. Outside in: exile at home. An algorithmic discrimination system. In: Andrés Burbano; Ruth West (coord.) AI, Arts & Design: Questioning Learning Machines. artnodes , no. 26 (July 2020): 1-7.
  • Rewind to the future -
    Rewind to the future mit Eija-Liisa Ahtila, Dara Birnbaum, Klaus vom Bruch, Peter Campus, Luc Courchesne, Jordan Crandall, Stan Douglas, Douglas Gordon, Dan Graham, Ingo Günther, Gary Hill, Nan Hoover, Felix Stephan Huber / Philip Pocock, Jodi ,
  • Artist and filmmaker William Kentridge has earned international acclaim for creating distinctive animated films that address the political and cultural climate of his native South Africa. In Tide Table (recently acquired by The Rose), the artist
  • Beesley, Philip and Sachiko Kirosue and Jim Ruxton and Marion Trankle and Camille Turner, ed. RESPONSIVE ARCHITECTURES: SUBTLE TECHNOLOGIES 2006. Toronto: Riverside Architectural Press, 2006.
  • Herwig Weiser is an interdisciplinary artist who work collaboratively. His long-term investigation of the relationship between electronic information and data systems, and the raw hardware that drives these technologies, draws on aesthetic,