Archive Search

  • Courchesne, Luc. L´exposition comme oeuvre In Muséo-séduction, Muséo-réflexion, , 163-168. Quebec City, CAN: Musée de la civilisation and Service canadien des parcs, 1992.
  • Hayles, Katherine. Narratives of Artificial Life In Future Natural, edited by Jon Bird and Lisa Tickner and George et. al. RobertsonLondon: Routledge, 1996.
  • Cubitt, Sean. Audiovisionaries of the Network Planet In Globalization and contemporary art, edited by Jonathan Harris, 225-236. Malden, Mass.: Wiley-Blackwell, 2011.
  • Berlot, Uršula. Art Between the Natural, Technological and Mental Likovne besede/Art Words. Ljubljana: Union of the Slovene Fine Artists Associations 89/90 (2009).
  • Berlot, Uršula. Idea of Nature in the Contemporary Art Likovne besede/Art Words. Ljubljana: Union of the Slovene Fine Artists Associations 61/62 (2002).
  • Goldberg, Ken and George Bekey, ed. Neural Networks in Robotics. Dordrecht, NL: Kluwer Academic, 1993.
  • Ascott, Roy. Behaviorist Art and the Cybernetic Vision Cybernetica, Journal of the International Association for Cybernetics 9 (1966): 247-264.
  • DeGrow, Don. Myron Turner: Autobiography Winnipeg Art Gallery Studio Series , no. 28 (1996): 4 pages.
  • Alsina, Pau. Arte, ciencia y tecnología. Barcelona, Spain: Universidad Oberta de Catalunya UOC, 2007.
  • Benayoun, M.. Tentative de définition de l'Art Numérique http://www.academia.edu/35833560/Tentative_de_d%C3%A9finition_de_lArt_Num%C3%A9rique.