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Marius Watz
Watz is an artist based in New York and Oslo. He works extensively with generative design and code to explore the creative outputs of virtual spaces defined by rule-based systems and visual abstraction through generative systems. In 2005 Watz
Data Visualisation as New Abstraction and Anti-Sublime
2002
Manovich, Lev. Data Visualisation as New Abstraction and Anti-Sublime .
Whats Wrong with this Picture? Presence and Abstraction in the Age of Cyberspace
1997
Naimark, Michael. Whats Wrong with this Picture? Presence and Abstraction in the Age of Cyberspace edited by Roy AscottlNewport: 1997.
Neosentience and the Abstraction of Abstraction
2013
Seaman, Bill. Neosentience and the Abstraction of Abstraction Systems Connecting Matter, Life, Culture and Technology 1, no. 1 (2013).
Abstraction Now
2003
Event: Abstraction NowInstitution: Künstlerhaus WienComment:
Expanded Abstraction: Animated Film and Digital Art
2011
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2012
Event: Expanded Abstraction: Animated Film and Digital ArtInstitution: Stark BarComment:
Tendencies in Abstraction. Systems, Techno Organisms, Information: 'S' Gallery. 13. 4. - 5. 6. 2022
2023
Gnamuš, Nadja. Tendencies in Abstraction. Systems, Techno Organisms, Information: 'S' Gallery. 13. 4. - 5. 6. 2022 Ljubljana: Ljubljana Fine Artists Society (2023).
Tendencies in Abstraction: Systems, Technologies, Information
2022
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2022
Event: Tendencies in Abstraction: Systems, Technologies, InformationInstitution: Gallery SComment:
Metapaisajes. El paisaje a través del arte digital
2007
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2008
The landscape is not just the natural environment or its representation. It is in itself a cultural construct, subject to the codes and beliefs of those who have configured it, be it physically (determining its shape by the arrangement of gardens,
Tessarae of Venus
2009
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2009
Tesserae of Venus imagines a strange future through dynamic photomontages of energy-producing landscapes and related drawings. McPhee borrows from the tectonics of Venus-tesserae, or ‘complex ridged folds,’ in order to structure her images of
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