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  • Say It with Flowers: Flowers and Artificial Nature since the 1960s -
    Event: Say It with Flowers: Flowers and Artificial Nature since the 1960sInstitution: Museum Schloss Moyland FoundationComment:
  • 26 Kingly Street
  • William Kentridge -
    William Kentridge, a native of Johannesburg (b. 1955), is an internationally acclaimed artist whose multimedia works present an arresting and forceful commentary on the contemporary cultural and sociopolitical issues in South Africa. Inspired by
  • William Kentridge -
    Die bereits vor zwei Jahren konzipierte Ausstellung von William Kentridge hätte im Vorjahr in der Neuen Galerie Graz gezeigt werden sollen, was jedoch aufgrund des verzögerten Umbaus der Neuen Galerie nicht möglich war. William Kentridge war
  • Flip Your Wig (Perückt) - video
    Heroes are hard to find. The few, who are considered to be worth remembering, are placed somewhere, soon to be forgotten. In the obscurity of arterial roads and shaggy groves characters of bronze or stone wait to be recognised. Maybe they freeze in
  • Key Concepts of Holopoetry
    Kac, Eduardo and Eric Vos and Johanna Drucker. Key Concepts of Holopoetry In Experimental - Visual - Concrete: Avant-Garde Poetry Since the 1960s, edited by K. David Jackson, 247-257. Amsterdam; Atlanta: Rodopi, 1996.
  • DAC SPARKS - Pioneering Interactive Art and Artists from the 1960s to 2000 -
    This SIGGRAPH SPARKS session will focus on seminal works created by pioneering digital artists from the 1960s to the year 2000, that helped define a new genre.
  • ACM SIGGRAPHDigital Arts Comunity
  • William Kentridge -
    The ensemble, this catalogue and the exhibition document the rich production of work by William Kentridge (Johannesburg, 1955), and especially show that each one of his activities are a way of returning to the act of drawing, an act the artist has
  • Medidas de emergencia -
    Medidas de emergencia puts on display Antoni Abad’s (Lleida, 1956) artistic evolution in regards to the use of new media. In this case, the tour passes from sculptural practice to video. Experimentation with media does not mean the abandonment of
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