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  • Francien Verdenius and Jorge Maya and Geke Ludden and Pieter Desmet and Andrés Burbano and Vanessa Okken and Juan Salamanca and Ad Pruyn. Appearences can be deceiving. The portal of weight and embodied meaning portrayal in product design.
  • Born in 1996 in Bogotá, Colombia. Currently studying Interface cultures master at the University of Art and Design Linz, Austria. He holds a bachelor’s degree in fine arts at the National University in Bogotá, Colombia. His work includes interface
  • Watchers
    "Watchers" are ambient light sculptures concerned with the rhythmic nature of television light and how it is used to seduce and compel the viewer into a kind of hypnotic and passive inaction. Detection of movement has been at the core of our
  • The Visual Orchestra -
    The Visual Orchestra (2006/2007, 2 minutes, digital animation with original soundtrack) Using color and form, an original music score comes to life. The Visual Orchestra explores relationships between audio rhythms and visual rhythms through the
  • Cubey 1.0 (2008, interactive digital art installation) Cubey 1.0 is an interactive digital art installation that explores audio-visual and spatial relationships. With its embedded sensors, Cubey 1.0 enables users to compose dynamic audio-visual
  • Light Sounds Live! (2008, live digital media audio-visual performance) David R. Burns uses his imagination and custom digital performance technology to create Light Sounds Live!, a live interactive performance. Using projected color and light, Burns
  • Electronic technology and surveillance have added a digital dimension to Foucauldian panopticism and expanded the ways in which nations can continually monitor and control visitors’ entry through their borders. This instantaneous access to massive
  • "Levels of Nothingness," 2009 Sept 17 - 21, 2009 The Guggenheim Museum, New York performance, installation dimensions variable Inspired by Vasily Kandinsky’s Yellow Sound (1912), Rafael Lozano-Hemmer created an installation where colors are
  • GALLIA - video
    GALLIA (1987-88) is Stenger's first 3D movie, and already displays many of the distinctive features of her future productions: color, rhythm, recurrent sequences and vibrant soundtrack.
  • Video, 4 min 13 sec, color, sound An experimental documentary, part of the web project "Women of a Certain Age"