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Subtle Technologies 2007
2007
in situ. art, body, medecine.
Syracuse Tree
2013
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2013
PERMANENT IN-SITU INSTALLATION
Du sonore et du visuel 2
2007
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2007
Event: Du sonore et du visuel 2Institution: Galerie In Situ / Fabienne LeclercComment:
"Beautiful Obsolescence" - EX SITU CONSERVATION: Colony Relocation for Electronic Detritus
2018
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2018
Event: "Beautiful Obsolescence" - EX SITU CONSERVATION: Colony Relocation for Electronic DetritusInstitution: THE CLUSTER GALLERYComment:
Utopías del arte tecnológico. Un análisis de la situación, cincuenta años después
2013
Alcalá Mellado, José Ramón and Vicente Jarque. Utopías del arte tecnológico. Un análisis de la situación, cincuenta años después Artnodes. Revista de arte, ciencia y tecnología , no. 13 (2013): 4-15.
Viewfinder
2008
“Viewfinder” is a novel method for users to spatially situate, or “find the pose,” of their photographs, and then to view these photographs, along with others, as perfectly aligned overlays in a 3D world model such as Google Earth. Our objective is
la huella
2010
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2010
la huella, 2010 iMac, Quartz Composer, microphone, projector, 200 x 150 cm La huella is a generative work that evolves in a loop of creation, adaptation and destruction. It is a reflection on survival and evolution in nature, a neverending
Éphémère
1998
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1998
video
Ephémère is iconography evolved through Davies' long-standing practice as a painter, and, as in Osmose, is grounded in 'nature' as metaphor: archetypal elements of root, rock, and stream etc. recur throughout. In Ephémère however,
Situated Agents Can Have Goals
1990
Maes, Pattie. Situated Agents Can Have Goals Robotics and Autonomous Systems 6, no. 1-2 (June 1990): 49-70.
Situated Realities
2002
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2002
Event: Situated RealitiesInstitution: Maryland Institute College of Art, BaltimoreComment:
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