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Likeness and Presence: A History of the Image Before the Era of Art
1994
Belting, Hans. Likeness and Presence: A History of the Image Before the Era of Art. Chicago: University of Chicago Press, 1994.
Me as MacGhillie
2010
Meyer, Eva. Me as MacGhillie In Opaque Presence. Manual of Latent Invisibilities, edited by Andreas Broeckmann and Knowbotic ResearchBerlin, Zürich: Diaphenes Verlag, 2010.
Rehabilitating Bacteria: A Contemporary Art/Science Interface
2019
Hauser, Jens. Rehabilitating Bacteria: A Contemporary Art/Science Interface In Shifting Interfaces : Presence and Relationality in New Media Arts of the Early 21st Century, edited by Hava AldoubyLeuven: Leuven University Press, 2019.
SONIC PRESENCE
2006
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2006
Event: SONIC PRESENCEInstitution: Bergen KunsthallComment:
Bio-Présence
2013
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2013
Event: Bio-PrésenceInstitution: City of BiscarosseComment:
Osmoboxes
2014
"An Osmobox is a work of olfactory art that responds to the presence of the viewer by opening itself and gently releasing an aroma. All Osmoboxes are visually identical but completely distinct in their olfactory identity. This means that the viewer
//.présence./.techno./.labo.//
2003
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2003
Event: //.présence./.techno./.labo.//Institution: TangenteComment:
Wings
1996
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1996
Our most recent project was to advance the technology and techniques discovered during production of The Adding Machine. We utilized the projected computer graphic system developed for The Adding Machine, but further required that each audience
Dreams Rewired
2015
DREAMS REWIRED traces the desires and anxieties of today’s hyper-connected world back more than a hundred years, when telephone, film and television were new. As revolutionary then as contemporary social media is today, early electric media sparked
There Is No Business
2009
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2009
TITLE: There is no business ARTIST: Rafael Lozano-Hemmer WORK DATE: 2009 CATEGORY: Installations MATERIALS: Installation néon, métal, timer / neon installation, metal, timer EDITION/SET OF: 1/6 SIZE: h: 60 x w: 60 x d: 8 cm / h: 23.6
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