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World II for Bosnia
World II for BosniaArtist: Jenny HolzerComment:
World I for Bosnia
World I for BosniaArtist: Jenny HolzerComment:
On Justifying the Hypothetical Nature of Art and the Non-Identicality within the Object World
1992
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1992
On Justifying the Hypothetical Nature of Art and the Non-Identicality within the Object WorldArtist: Peter WeibelComment:
Die Wand, der Vorhang (Grenze, die) fachsprachlich auch: Lascaux
1993
Die Wand, der Vorhang (Grenze, die) fachsprachlich auch: LascauxArtist: Peter WeibelComment:
Pixelwelle
2000
The Pixel Wave welcomes visitors in the Pixelpark Berlin lobby. The peppier somebody walks along the four-meter-long virtual wave, the more it undulates each pixel. If the viewer pauses in front of the wave installation, single pixels open up and
interskin
1994
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1994
Whereas the first cyberSM project used a visual interface to influence and control the remote environment, the functionality of the third generation suits shifts the emphasis away from the computerscreen as mediator to the body itself. In the
The Pain machine
The Pain machineArtist: Kirschner, Morawe, ReiffComment:
Interactive Wallpaper
2005
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2005
Interactive WallpaperArtist: Jeffrey HuangComment:
REAL VIRTUALITY
1999
REAL VIRTUALITYArtist: Tomas RullerComment:
PULSAÇÃO OU ONDA OU VERMELHO, NÃO VERDE
1986
Multimedia installation with neon, recorder and cassette tape, repeating graphs of electrocardiograms, transcribed in neon, which generate sensations of living inside a heart.
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