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Online Theatre and Performance: Making social-distancing live theatre and performance during the COVID-19 lockdown,
2020
Papagiannouli, Christina. Online Theatre and Performance: Making social-distancing live theatre and performance during the COVID-19 lockdown, .
Online Theatre and Performance: Making social-distancing live theatre and performance during the COVID-19 lockdown,
2020
Papagiannouli, Christina. Online Theatre and Performance: Making social-distancing live theatre and performance during the COVID-19 lockdown, .
Mixed Realities in the Living Tattoos Social Platform
2008
DOMINGUES, DIANA MARIA G and Eliseo REATEGUI and Gelson Cardoso REINALDO and Alexandre LORENZATTI. Mixed Realities in the Living Tattoos Social Platform Urban Mixed Realities: Technologies, Theories and Frontiers, Presence, place, collaboration,
S+T+Arts Prize For Social Good
2022
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2022
Event: S+T+Arts Prize For Social GoodInstitution: S+T+ArtsComment:
14 bis Terminal MIS
2010
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2010
MOBILE TECh AND SOCIAL PLATFORM
Social Distortion
2017
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2017
Event: Social DistortionInstitution: The Wrong BiennaleComment:
Oncena Bienal de La Habana: Prácticas artisticas e imaginarios sociales
2012
Jorge Fernández Torres. Oncena Bienal de La Habana: Prácticas artisticas e imaginarios sociales. ISBN: 978-88-89477-54-0 th ed.Habana: Maretti Editore, 2012.
Alba, arte transgenica, arte del vivente
2000
Capucci , Pier Luigi. Alba, arte transgenica, arte del vivente Noema - Tecnologie e Societá (2000).
Arguendo
2013
Arguendo re-enacts the 1991 Supreme Court Case Barnes v. Glen Theatre, initiated by a group of go-go dancers against an Indiana law banning public nudity. Electronically mediated with references to relevant court cases and the First Amendment, the
m-cult.org
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