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Ursonate
1991
-
1996
UrsonateArtist: Jack OxComment:
World II for Bosnia
World II for BosniaArtist: Jenny HolzerComment:
World I for Bosnia
World I for BosniaArtist: Jenny HolzerComment:
On Justifying the Hypothetical Nature of Art and the Non-Identicality within the Object World
1992
-
1992
On Justifying the Hypothetical Nature of Art and the Non-Identicality within the Object WorldArtist: Peter WeibelComment:
Die Wand, der Vorhang (Grenze, die) fachsprachlich auch: La
sca
ux
1993
Die Wand, der Vorhang (Grenze, die) fachsprachlich auch: La
sca
uxArtist: Peter WeibelComment:
Pixelwelle
2000
The Pixel Wave welcomes visitors in the Pixelpark Berlin lobby. The peppier somebody walk
s a
long the four-meter-long virtual wave, the more it undulates each pixel. If the viewer pauses in front of the wave in
sta
llation, single pixels open up and
interskin
1994
-
1994
Whereas the first cyberSM project used a vi
sua
l interface to influence and control the remote environment, the functionality of the third generation suits shifts the emphasi
s a
way from the computerscreen as mediator to the body itself. In the
The Pain machine
The Pain machineArtist: Kirschner, Morawe, ReiffComment:
Interactive Wallpaper
2005
-
2005
Interactive WallpaperArtist: Jeffrey HuangComment:
REAL VIRTUALITY
1999
REAL VIRTUALITYArtist: Tomas RullerComment:
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