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Creation Myth describes the birth of a new environment utilizing unique fractal and particle system software. It was designed for exhibition on Palladium's 50 monitor video display system. (Rebecca Allen)

Allen created all visual material for the 1986 album Electric Cafe by the German group Kraftwerk including the classic, award-winning music video, Musique Non Stop. This work involved the development of state-of-the-art facial animation software in

Gallery view from outside. The artist's first robotic brush strokes were achieved in 1987. The strokes achieve spontaneous qualities using coded procedures. The software generates a brush form and requests a paint brush. The artist places a

Fragments of the image "At the Bar" are continuously re-ordered each time resulting in a new composition. With George Legrady's artistic direction, Angus Forbes contributed the visualization software.

Generator.x is a curatorial platform exploring the use of generative strategies and software processes in digital art, architecture and design. It focuses on a new generation of artists and designers who embrace code as a way of producing new forms

Public Art commission consisting of four panels with landscape images modelled with a landscape modelling software. Commissioned by Edmonton Arts Council, Edmonton, Canada, for the newly built Firestation No.5. Completed 2010 The top view images

Windows Media Player software, with graphic sound transformation function. An extract from a video gleaned on the Internet, with only the sound on. Video extracts of pornographic films projected non-stop. The software gives infinite possibilities

POPUREVE, a fast-paced 3D animation about the 1789 Revolution, reshuffling several recurring themes about freedom, equality and the guillotine, is Stenger's second digital movie and fantasy work about French History, after GALLIA (1987-88) The movie