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  • Points of View II - Babel addressed issues relating to the Falklands War. It was made using the same functional and iconographic structures as Points of View I, but with a differing content.In BABEL hieroglyphs were used to articulate a
  • Between the words -
    This installation constitutes a specific modality of remote communication between two persons where facial expression and hand gestures are its essential agencies. Two people face each other through an opening in a wall where an optical system
  • José R. Alcalá is a media artist, curator, and researcher. Head Professor of New Media Art at the University of Castilla-La Mancha. Director of the Ibero-American Observatory of Digital and Electronic Arts. Director of ASRI; Art and Society;
  • Independent art critic and curator, researcher in contemporary art and new media. PhD in Information and Knowledge Society, Universitat Oberta de Catalunya (UOC) and Bachelor in Art History from the University of Barcelona. He has developed his
  • America`s Finest -
    In 1830, both the camera and the colt revolver were invented. more than a half century later, in 1888 Etienne Jules Maray perfected a gun that substituted film for bullets. There has long been a historical relationship between the camera and the
  • Systems Maintenance consists of three versions of a furnished room. An ensemble of life-sized furniture occupies a large circular platform on the floor, a virtual room is displayed on a computer monitor, and a 1/8 size physical scale model of the
  • Recombinant Icon -
    This work was made in response to Patrick Lichty's request for a web based artwork which would critically address the icon, an essential element in most graphical user interfaces found in computer operating systems today. Recombinant Icon refers
  • Peter C. Simon is a sound and video artist and curator whose current interests include sound art, field recording, DIY analog instruments and the connections between electroacoustics, extreme music, film and video and leftfield sciences. He holds MA
  • De Kerckhove, Derrick. Die Wiederkehr der Sinne in der "Netzwerk-Kunst" In Interaktiv. Im Labyrinth der Wirklichkeiten. Über Multimedia, Kindheit und Bildung. Über reale und virtuelle Interaktion und Welten, edited by Wolfgang Zacharias, 71-81.
  • Dreher, Thomas. Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen In Interaktiv. Im Labyrinth der Wirklichkeiten. Über Multimedia, Kindheit und Bildung. Über reale und virtuelle Interaktion und Welten., edited by Wolfgang