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  • McCullough, Malcom. Abstracting Craft: The Practiced Digital Hand. Cambridge, MA: MIT Press, 1998.
  • MN.A is a video installation created for the Artist Researcher Project of the Museum of Contemporary Art of Niterói, RJ, Brazil. It was addressed to the physical and conceptual characteristics of that place. It belongs to the series American
  • An image is repeatedly sliced, reduced to an abstraction which then re-assembles itself into a different image. The animation cycles through approximately six different images. With George Legrady's artistic direction, Yun Teng assisted with the
  • Backpacks are a series of physical components with a button knob that can be attached to Topobo Actives to modify the way a recorded motion plays back. For instance, by turning the knob on the Bigger/Smaller Backpack, you can make you recorded
  • Fajardo-Hill, Cecilia, ed. Remains – Tomorrow: Themes in Contemporary Latin American Abstraction. Berlin: Hatje Cantz, 2022.
  • FIRMAMENT - video
    In the center of the landscape, a lake (eye of the earth) is the mirror to a virtual cosmos, where life is designed by the stars' behaviors which simulate a living organism. An artificial world crowded with dots of lights and sounds, generate trough
  • "Arabesque" is a kinetic artwork with roots in Mary Shelley's Frankenstein and the Alchemist's Laboratory. A composition of life-sized cast human body parts (incidentally casts of my own body). These translucent entities impaled upon their internal
  • With the use of augmented reality Banz & Bowinkel localize AI - controlled avatars on specifically designed areas within the gallery. The avatars have been developed by Banz & Bowinkel in cooperation with HTW Berlin and act out simulated
  • BIOMA -
    Conceived as a sculpture/interface that obtains biometric color and sound data from the environment. The work is activated with a noise level higher than the one configured to start making a visual sweep that is altered by the sound wave. With this
  • Christina McPhee’s images move within a matrix of abstraction, shadowing figures and contingent effects. Her work emulates potential forms of life, in various systems and territories, and in real and imagined ecologies. Her dynamic, performative,