Archive Search

  • Strauss, Wolfgang and Monika Fleischmann. Imagine space fused with data CAST01//Living in Mixed Realities 300, no. ISSN 1618-1379 (September 2001): 41 -45.
  • Lin Pey Chwen’s oeuvre extends from sculpture to interactive digital installations. Over the course of more than twenty years, her work encompasses a unique approach to media art and technology exploring a critical understanding of contemporary
  • George Legrady has exhibited across the world and is widely recognized as one of the early digital artists that researched the semiotic and cultural implications of software-produced images. His work encompasses a wide range of digital experiments
  • Refraction
    "Refraction" explores the cinematic narrative of the photographic image in a non-electronic form, the lenticular medium, a process in which two or more images can be seen sequentially simply through the changing of the observer’s viewing
  • Gessert, George. Art is Nature Art Papers (March/April 2001): 16-19.
  • Biopunk
    Newitz, Annalee. Biopunk San Francisco Bay Guardian , no. 8 (August 2001).
  • Rivera, Daniel. La belleza y la rescritura de un nuevo mundo: Arte transgénico La Jornada (February 2001).
  • Pieter-Rim de Kroon, Julien Devaux, Jean-Charles Fitoussi, Jean-Luc Godard, Ellen Harvey, Takehito Koganezawa, Malcolm Le Grice, Marcello Mercado, Anne-Marie Miéville, Vincent Monnikendam, Jacco Olivier, Jos Stelling, Straub/Huillet »
  • Silverberg, Robert. The Case of the Phosphorescent Rabbit Asimov's Science Fiction 25, no. 9 (September 2001).
  • Walker, James. Silent Motion - catalogue for the exhibition, 2001 ISBN 0-9536240-2-1. Vol.1. 1 th ed.London, UK: Colville Place Gallery Publishing, 2001.