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  • Syncronicity 2008 This work developed out of my research fellowship at goldsmiths college.This is a live visualisation of a hand drawn city. Dozens of hand drawings are being walk on by small robots. The real space made as a visualisation. A
  • As far as the creases -
    Here, a human organ constitutes the landscape: a brain is covered in a fine film of aquatic algae. The alga deposits itself by taking its time and continues to grow at its own rhythm. I provide regular modest help: I change the water twice a
  • Breda Kolar Sluga and Peng Feng. The Earth is Flat – Zemlja je ploščata / Flat and Distant – Ploščato in oddaljeno UGM, Maribor, 3. 6. – 14. 8. 2016, Today Art Museum, Beijing, 10. 9. – 9. 10. 2016. Maribor: Umetnostna galerija (2016).
  • Landscape -
    This 3-D computer animation originally was designed to an opera-piece. The main question of the opera was how we perceive time. The animation is about a small German village in a rainy day, and visualizes the miraculous moment when all of a sudden
  • Roaming -
    This experimentation starts from appropriation of small chips present inside those mobile phone charms that light up when a call comes in. In a panel, light is literally launched to the invisible radiation that comes from the mobiles and invades our
  • Grassmuck, Volker. Explorationen des Möglichkeitsraums In Small Fish, edited by Kiyoshi Furukawa and Masaki Fujihata and Wolfgang MünchVol.3. ZKM digital arts edition, Ostfildern-Ruit: ZKM and Hatje Cantz, 1999.
  • Mesch, Claudia. Art and Politics: A Small History of Art for Social Change Since 1945. London: Tauris, 2013.
  • Omladič, Luka. Uršula Berlot: Odsev/Reflexion, Museum of Modern Art, Small Gallery, 28. 6. – 25. 8. 2002 Ljubljana: Museum of Modern Art (2002).
  • Petrešin, Nataša. Uršula Berlot: Reflection, Museum of Modern Art, Small Gallery, 28. 6. – 25. 8. 2002 Ljubljana: Museum of Modern Art (2002).
  • Allmendinger, Ulli. One small hop for Alba, one large hop for mankind NY Arts Magazine 6, no. 6 (June 2001).