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Extra-Ordinary Practices 2006

Corby, Tom and Gavin Baily. Extra-Ordinary Practices In Extra-Ordinary Practices: A Retrospective of British Media Art, , 53-64. Dresden: 2006.
TWENTY + CHANGE: EMERGING TORONTO DESIGN PRACTICES 2009

Dubbeldam, Heather and Lola Sheppard, ed. TWENTY + CHANGE: EMERGING TORONTO DESIGN PRACTICES. Toronto: Riverside Architectural Press, 2009.
What you see is what you get? 2010

Galloway, Alexander. What you see is what you get? In The archive in motion: new conceptions of the archive in contemporary thought and new media practices, edited by Eivind Røssaak, 155-182. Oslo: Novus Press, 2010.
Design for Information: An Introduction to the Histories, Theories, and Best Practices Behind Effective Information Visualizations 2013

Mereilles, Isabel. Design for Information: An Introduction to the Histories, Theories, and Best Practices Behind Effective Information Visualizations. Beverly, MA: Rockport, 2013.
Assembling Art, Design, Technology and Media Culture: The Challenge of Japanese Device Art 2011

Kusahara, Machinko. Assembling Art, Design, Technology and Media Culture: The Challenge of Japanese Device Art In Coded Cultures. New Creative Practices out of Diversity, edited by Georg Russegger and Matthias Tarasiewicz and Michal
The Human Body as an Audiovisual Instrument. 2020

Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.
Open Art and other survival practices 2010

Event: Open Art and other survival practicesInstitution: School of Visual ArtComment:
Practices in mutations, from Video to Critical Fusion 2009

Event: Practices in mutations, from Video to Critical FusionInstitution: San Francisco Art InstituteComment:
Dynamic Space and Interactive practices 2001

Event: Dynamic Space and Interactive practicesInstitution: conférence et workshop, University of StuttgartComment:
Sara Damiani

I'm a researcher at the University of Bergamo (Italy). My main areas of research are the connections between art history practices, visual culture, and the digital media.

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