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Disillusion of Women Wrestling
1968
-
1968
The film Continuous Sound and Image Moments (1966) was projected onto a live performance of professional female mud wrestlers.
Waterquake
1970
In Waterquake long lengths of tubing were dropped into a canal and then slowly inflated with air and smoke. The tubing emerged from the water, filling the canal and then spilling over into the surrounding streets. The spectators pulled and knotted
No Thing
1970
A monumental sculpture proposed for the Schouwburgplein in Rotterdam and constituted by massive letters forming the words NO THING.
Televents
1970
Numerous disillusionary manipulations of domestic TV sets were made for a television broadcast by the V.P.R.O. For in
sta
nce, the TV screen was replaced with a white painted black balloon on which film was projected - when the balloon was inflated
Hayward Gallery Projects
1971
Three proposals for sculptures on the Hayward Gallery in London: a heap of giant inflatable potatoes on the terrace, an inflatable dome covered with a film projection which constituted a sphere of daytime sky during the night, and the whole building
Homage to Bladen
1971
Inflatable replica of an exhibited sculpture by Ronald Bladen - this one the visitors could play with.
Centipede
1972
An inflatable centipede whose 100 feet were provided for by the people who carried it through the streets. During the Moomba festival it wa
s a
lso floated on the Yarra river in Melbourne.
More&Less
1972
An in
sta
llation in two rooms. One was filled with an inflatable structure that was slightly
sma
ller than the room - visitors had to squeeze between it and the walls. In the other room the structure was larger than the room and so covered all its
Projections
1973
A series of photographic prints on linen: a table cloth showing the image of a dinner serving , a window curtain showing the image of a venetian blind, a sheet hanging on a line showing the image of bedsheets hanging to dry, a dress showing the
Sta
ircase
1974
A sequence of photographs was taken of people using the central
sta
ircase in the Stedelijk Museum. This scene was then virtually re-constructed by projecting these images full-
sca
le onto two contiguous projection screens - one hanging vertically on
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