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Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983)
2020
Albu, Cristina. Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983) Camera Obscura: Journal of Feminism, Culture and Media Studies; Duke University Press 35, no. 1 (Spring
What Is Between Us: A Visual Survey of Nina Sobell's work 2007- 2019
2020
Sweet, Paula. What Is Between Us: A Visual Survey of Nina Sobell's work 2007- 2019. Vicenza, Italy: Second Guess Press, Amazon, 2020.
UNSEEN: twenty-four-page folio, 24 pages 5.5” x 17”, in a handmade box, David Moscovitch, editor
2020
Sobell, Nina. UNSEEN: twenty-four-page folio, 24 pages 5.5” x 17”, in a handmade box, David Moscovitch, editor. Vol.1. 6 th ed.New York: Louffa Press, 2020.
La crítica dialogada: Entrevista sobre arte y pensamiento contemporáneo
2006
Guasch, Anna María. La crítica dialogada: Entrevista sobre arte y pensamiento contemporáneo. Murcia, Spain: Cendeac, 2006.
Friedrich Kittler: No hay Software y otros ensayos sobre filosofía de la tecnología
2017
Andres Burbano and Alejandro Duque. Friedrich Kittler: No hay Software y otros ensayos sobre filosofía de la tecnología. Caldas, Colombia: Universidad de Caldas, 2017.
Sobre las imágenes híbridas y los paisajes de datos: una conversación con Diana Domingues
2012
DOMINGUES, DIANA MARIA G and A. I. CACERES. Sobre las imágenes híbridas y los paisajes de datos: una conversación con Diana Domingues Arte por exelencias 16 (2012): 12-12.
Airlight Boulder, Airlight Taipei and Airlight Socal
2007
Event: Airlight Boulder, Airlight Taipei and Airlight SocalInstitution: The Atlas CenterComment:
EEG+Intimate Connections+Art
2022
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2022
This is what the talk was about as quoted from the info. "Nina Sobell is an interdisciplinary artist who thinks of herself as an electronic medium led her to originate BrainWave Drawings, the interactive synchrony of brainwaves between two or more
Hors Pistes 'El estadio del arte
2018
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2018
Hors Pistes analiza el universo del deporte desde un prisma político y crítico —desarrollando paralelismos con la sociedad— al tiempo que poético, sobre la reapropiación por parte de los artistas de las formas, códigos e imaginario del deporte, para
"Flujos comunicativos cotidianos como experiencia artística. Fotografía digital y redes 2.0"
2014
Bernardo Villar. "Flujos comunicativos cotidianos como experiencia artística. Fotografía digital y redes 2.0". Vol.'Tarjeta de Memoria / Memory Card. Ensayos sobre fotografía contemporánea'. Bogotá: Universidad Jorge Tadeo Lozano de Bogotá, 2014.
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