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Maharaj, Sarat. Avidya: Non-Knowledge Production in the scene of Visual arts Practice In Education, Information, Entertainment - Current Approaches to Higher Artistic Education, edited by Ute Meta BauerVienna: Selene Verlag, 2001.

Scholder, Amy and Jordan Crandall, ed. Interaction: Artistic Practice in the Network. New York: Distributed Art Publishers, 2001.

Gere, Charlie. When New Media Was New In New Media Art: Practice and Context in the UK, 1994-2004, edited by Lucy Kimbell and H. Cadwallader, 46-63. Manchester: Cornerhouse Publications, 2004.

Boredomresearch. New Media Art: Practice and Context in the UK 1994-2004 In New Media Art: Practice and Context in the UK 1994-2004, edited by Lucy KimbellManchester: Cornerhouse Publications, 2004.

Pui, Susan. Journeys, Documenting, Indexing, Archives, and Practice-based Research: A Conversation with susan pui san lok’, Art Journal 65, no. 4 (Winter 2006): 18-35.

Corby, Tom. Landscape of Feeling, Arenas of Action: Information Visualization as Art Practice Leonardo 41, no. 5 (October 2008): 460-467.

Serexhe Bernhard. Preservation of Digital Art, Theory and Practice. ISBN 978-3-7091-1469-8, EU program INTERREG IV Oberrhein: Ambra V, Vienna, 2012.

Salter, Chris. Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies of William Forsythe In William Forsythe and the Practice of Choreography, edited by Steven SpierLondon, UK: Routledge Press, 2010.

Salter, Chris and Cognition. Sponge: A Case Study in Practice-based, Collaborative Research In Proceedings for the 4th Annual ACM Conference in Creativity and Cognition, Goldsmiths College, London, edited by Proceedings for the 4th Annual ACM

Cubitt, Sean and Gunalan Nadarajan and José‐Carlos Mariátegui. Social Formations of Global Media Art Third Text: Special issue MEDIA ARTS: Practice, Institutions and Histories 23, no. 3 (May 2009): 217-228.