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  • 2020 “ART WOMEN International Exhibition”, PPLG, Italy -
    2020 “ART WOMEN International Exhibition”, PPLG, Italy
  • Oncena Bienal de La Habana: Prácticas artisticas e imaginarios sociales
    Jorge Fernández Torres. Oncena Bienal de La Habana: Prácticas artisticas e imaginarios sociales. ISBN: 978-88-89477-54-0 th ed.Habana: Maretti Editore, 2012.
  • Nomadismos Tecnológicos (Dispositivos móviles: usos masivos y prácticas artísticas)
    Beiguelman, Giselle and Jorge La Ferla, ed. Nomadismos Tecnológicos (Dispositivos móviles: usos masivos y prácticas artísticas). Buenos Aires: Ariel, 2011.
  • Brian Mackern
    Brian Mackern (Uruguay) is a new media artist, developer and designer of digital and hybrid net based art projects since 1995. Musician, composer and developer of autogenerative and reactive sound visual structures and environments. His art practice
  • El Tercer Umbral. Estatuto de las prácticas artísticas en la era del capitalismo cultural
    Brea, José Luis. El Tercer Umbral. Estatuto de las prácticas artísticas en la era del capitalismo cultural. Ad Hoc Ensayo, Murcia, Spain: CendeaC, 2004.
  • Alchemy -
    Interactive digital video installation 2 interactive laser discs under computer control colour, silent Alchemy is an interactive illuminated manuscript, inspired by medieval books such as Les Tres Riches Heures de Duc De Berry. The theme of
  • Sensing Sound: Singing and Listening as Vibrational Practice
    Eidsheim, Nina Sun. Sensing Sound: Singing and Listening as Vibrational Practice. United States of America: Duke University Press, 2015.
  • Interactive Evolution of Dynamical Systems
    Sims, Karl. Interactive Evolution of Dynamical Systems In Towards a Practice of Autonomous Systems: Proceedings of the First European Conference, , 171-178. Cambridge, MASS: The MIT Press, 1992.
  • Zoe Beloff
    Beloff is a filmmaker who doesn´t just make films. Taken as a whole, Beloff´s recent work constitutes a sort of social archeology of cinema. She is particularly interested in excavating the social roots of cinema in the 19th century and reminding us
  • Mari Velonaki
    Mari Velonaki has worked as an artist and researcher in the field of interactive installation art since 1995. Velonaki has created interactive installations that incorporate movement, speech, touch, breath, electrostatic charge, artificial vision
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