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The Bush Soul (#2) 1998 - 1998

Bush Soul # 2 is the second work in a series of three interactive art installations, presented as a three screen panoramic immersive environment. (Rebecca Allen)
The Bush Soul (#1) 1997 - 1997

Bush Soul # 1 is the first work in a series of three interactive art installations that explore the role of human presence in a world of artificial life. (Rebecca Allen)
The Bush Soul: Artist Statement 1999

Allen, Rebecca. The Bush Soul: Artist Statement In Ars Electronica 99: Life Science, edited by Gerfried Stocker and Christine SchopfVienna, New York: Springer, 1999.
Emergence and The Bush Soul 1998

Allen, Rebecca. Emergence and The Bush Soul In Computer Graphics: ACM SIGGRAPH, edited by Gordon Cameron and Scott Fisher and Glen FraserVol.32. : SIGGRAPH, 1998.
As We May Think 1945

Bush, Vannevar. As We May Think The Atlantic Monthly 176, no. 1 (1945): 101-108.
Images Against Darkness - video art from the archive of imai (DE/EN), editors: imai - inter media art institute and KIT - Kunst im Tunnel / Kunsthalle Düsseldorf. 2012

Renate Buschmann and Gertrud Peters. Images Against Darkness - video art from the archive of imai (DE/EN), editors: imai - inter media art institute and KIT - Kunst im Tunnel / Kunsthalle Düsseldorf.. Dusseldorf: imai - inter media art institute,
Season in Hell: State of the Union: the Fateful Embrace 2005 - 2005

Video: The remix of President George W. Bush's 2005 State of the Union speech is set to Richard Wagner's Liebestod from Tristan und Isolde, a tale of two lovers who suffer a fateful embrace with love and death. In Bush's speech, a
Series In Innovation, Eyebeam Vision Research Group, New York Panelist: New Media Day, Bushwick Film Festival, New York 2013 - 2013

Event: Series In Innovation, Eyebeam Vision Research Group, New York Panelist: New Media Day, Bushwick Film Festival, New YorkInstitution: EyebeamComment:
Another Day in Paradise 1992 - 1994

The installation "Another Day in Paradise" was composed of three preserved trees: surveillance, video and touchscreen trees. The equipment not contained in the trees themselves was hidden from view in fiberglass rocks. The monitors were embedded in

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