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3 Seconds in the Memory the Internet
2002
3 Seconds in the Memory of the Internet explores the notion of privacy and memory on the Internet. Three arbitrary seconds were selected from three different decades in the Internet's development: one from the 1980s , one from the 1990s and one
FILE GENESIS
2017
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2017
Installation and storage/sculpting system that collects the creation of digital files in real time. The system is prepared for the rendering of 3D scenes that are collected in a series of marble sculptures with a USB memory inside.
Art and Agency in Times of Wetware
2017
Hauser, Jens. Art and Agency in Times of Wetware In Les paradoxes du vivant = The paradoxes of the living: |Les paradoxes du vivant = The paradoxes of the livingThe Paradoxes of the Living, edited by CollectifVol.04. Stream, , 263-269. Paris: PCA
New Collecting: Exhibiting and Audiences after New Media Art
2014
Graham, Beryl, ed. New Collecting: Exhibiting and Audiences after New Media Art. London: Ashgate, 2014.
New Collecting: Exhibiting and Audiences after New Media Art
2014
Graham, Beryl, ed. New Collecting: Exhibiting and Audiences after New Media Art. London: Ashgate, 2014.
Collecting Intangibles: Marketing Strategies for Net Art Works
2013
Waelder, Pau. Collecting Intangibles: Marketing Strategies for Net Art Works artnodes , no. 13 (2013): 111-116.
Digital Art through the Looking Glass: New strategies for archiving, collecting and preserving in Digital Humanities
2019
Grau, Oliver and Janina Hoth and Eveline Wandl-Vogt, ed. Digital Art through the Looking Glass: New strategies for archiving, collecting and preserving in Digital Humanities. Krems a. d. Donau: Edition Donau-Universität, 2019.
Database Art and Design: Pioneering Strategies in the Arts towards Digital Archiving and Collecting
2020
van der Meulen, Sjoukje. Database Art and Design: Pioneering Strategies in the Arts towards Digital Archiving and Collecting https://stedelijkstudies.com/journal/database-art-and-design/.
Archive of Digital Art
As a pioneer project in the field of Media Art research and preservation, the ARCHIVE OF DIGITAL ART (ADA) has been striving to document the rapidly evolving field of "digital born" art since 1999. The ever growing collection and vast overview of
Dust
2009
In his new work, Dust, DeMarinis explores facial similarities, pairs of faces, and the abstraction of images into the dust. DeMarinis presents a fragment of this collection of likeness-pairs, scanned sequentially into the light-memory of
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